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Hailed as the first modern psychological thriller, The Collector is the internationally bestselling novel that catapulted John Fowles into the front rank of contemporary novelists. This tale of obsessive love--the story of a lonely clerk who collects butterflies and of the beautiful young art student who is his ultimate quarry--remains unparalleled in its power to startle and mesmerize.
- Sales Rank: #26982 in Books
- Published on: 1997-08-04
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 5.50" l,
- Binding: Paperback
- 320 pages
From Library Journal
Fowles launched his career with The Collector, which was welcomed with great critical enthusiasm, including that of LJ's reviewer, who found it "a distinguished first novel" (LJ 8/63). Mantissa, on the other hand, was a departure from the author's more popular material and received only a marginal response (LJ 9/1/82).
Copyright 1997 Reed Business Information, Inc.
Review
"... fine psychological thriller... enthralling... an evening of compelling nastiness." Daily Telegraph"
About the Author
John Fowles (1926-2005) was educated at Oxford and subsequently lectured in English at universities in Greece and the UK. The success of his first novel, The Collector, published in 1963, allowed him to devote all his time to writing. His books include the internationally acclaimed and bestselling novels The Magus, The French Lieutenant's Woman, and Daniel Martin. Fowles spent the last decades of his life on the southern coast of England in the small harbor town of Lyme Regis.
Most helpful customer reviews
90 of 92 people found the following review helpful.
Chilling study of psychology
By Kazza
With the exception of Nabokov's Lolita, this is the best book I have ever read. From the very moment I laid my hands on it I could not put it down and I have re-read it many times since. The premise is as such: a clerk (Frederick Clegg) becomes obsessed with a pretty art student (Miranda Grey) and holds her captive in his basement. Half of the story is told from Clegg's point of view in a recollective style, whilst the rest (the middle section) is relayed through Miranda's diary. The obvious differences in their views on life and the impossibility of them ever reaching a common ground is what grips you. Brilliant characterization and a brilliant study of human behaviour. Many people have suggested that The Magus was Fowle's best work, but The Collector puts it in the shade. Compelling.
0 of 0 people found the following review helpful.
As a fan of the psychological thriller genre, it was interesting to read one of the first
By Jessica Weil
Considered by many to be the first psychological thriller, The Collector is the story of Frederick Clegg, a lonely, obsessive man, and Miranda, the beautiful young art student whom he kidnaps and holds captive in his basement.
The story begins with Clegg’s perspective, and then switches a third of the way through to Miranda’s diary entries, allowing considerable insight into both characters. In many ways they are opposites: where Miranda has a vibrant zest for life and a passion for creating beauty, Clegg is consumed by a desire to capture and possess the beauty that has always been absent from his life.
It’s an interesting character study. And while Fowles never makes excuses for Clegg’s actions, he carefully presents him as a human rather than a monster. I was fascinated (and not really surprised) to learn that several serial killers and kidnappers have referenced The Collector as the inspiration and justification for their crimes.
My problems with the book have little to do with the book itself and more to do with what I have been conditioned to expect from psychological thrillers. It’s hard reading a book that was ahead of its time or the first of its kind when you’re already so familiar with what the genre has become. Fowles’ story may have been inventive and shocking when it was published, but approaching it decades later, I found the plot to be rather predictable and diluted. Again, this is one of those situations where “it’s not you (the book), it’s me.”
Ultimately, I’m glad to have read The Collector to understand and appreciate its influence on the genre.
84 of 94 people found the following review helpful.
"The Collector" will haunt you....
By L. Quido
Much time has passed since John Fowles, now a major international author, first wrote and published "The Collector", in 1963. In many ways, it was the prequel to a myriad of psychological thrillers (by other writers) involving obsession. Fowles, an enormous success based on this, his first novel, has gone on to a distinguished career and writing that is far more complex and layered than what we encounter here.
That said, reading "The Collector", one cannot help but be impressed at how Fowles sets the story, and how the point of view of the reader is rather voyeuristic -- we see the entire plot by reading the journals of the two protagonists, peering into a series of events they share by contrasting point of view.
Fowles leads us into the story through the eyes of Ferdinand Clegg, a clerk who wins a sum of money in "the pools". He sends his odd relatives off on a global jaunt, and uses the bulk of the money to buy a lonely cottage with a cellar that he turns into a secure prison of sorts. The object of his attention is a young and vibrant art student named Miranda. All his life Clegg (or Caliban, as Miranda dubs him) has collected butterflies. He now means to use his skills as a hunter, curator and collector, to possess Miranda, whom he has been stalking for several months.
In the plotting that is Clegg's, Fowles is remarkably detached from the world, helping his readers see it from the slightly oppressed viewpoint of the British middle class; only Clegg has thoughts and needs suppressed for many years, that are frightening in their focused simplicity. Of the capture of Miranda, Clegg relates:
"It finally ten days later happened as it sometimes does with butterflies. I mean you go to a place where you know you may see something rare and you don't, but the next time not looking for it you see it on a flower right in front of you, handed to you on a plate, as they say."
In reading Clegg's story, the reader feels touched, albeit briefly, by his madness, which is wrapped in the coat of a lonely young man.
The second part of the book allows the reader to come to know Miranda, through her secret journal. As vibrant as Clegg is dull, Miranda has been very caught up in the life of an artist, including her college dabbling with a teacher-type paramour, known to the reader as "G.P.". Much of what is absorbing in Miranda's world ceases with her capture. Her portion of the tale is a struggle with the alternating fear and loathing of Caliban, and the instinctive need to understand him, so that she might use that understanding to seek her freedom. Her faith in God ebbing, her despair and disdain for her captor growing, Miranda's shattered by her captivity. She says of him:
"He's not human; he's an empty space disguised as a human."
Inevitably, at the close of the captivity, the end of the story is told by Caliban, detached from the role he plays in how Miranda's story ends. Freshly shocked from this, the reader begins Chapter 4 unsettled, only to find that Caliban has disconnected from what he's done, and is preparing to do it again by stalking a young girl named Marian. It is this reopening of the cycle of violence and oppression that truly makes your blood run cold, truly introduces you to the brilliance that is Fowles' as a writer.
Your Fowles bookshelf is incomplete without "The Collector". Highly recommended.
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