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Minggu, 11 Oktober 2015

^ PDF Download The African Queen, by C. S. Forester

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The African Queen, by C. S. Forester

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First published in 1935, C.S. Forester's classic romantic adventure is a tale of opposites attracted. Allnut and Rose, a disreputable Cockney and an English spinster missionary, wend their way down a river in Central Africa in a rickety, asthmatic steam launch, and are gradually joined together in a mission of retaliation against the Germans. Fighting time, heat, malaria and bullets, the two have a dramatic rapprochement before the explosive ending of the book. This tale of unlikely love is thrilling and funny and ultimately satisfying.

Sales Rank: #112293 in Books
Brand: Forester, C. S.
Published on: 1984-06-30
Original language: English
Number of items: 1
Dimensions: 8.25" h x .63" w x 5.50" l,
Binding: Paperback
256 pages

From Library Journal
Forester is now remembered for his Horatio Hornblower sea adventures; his 1935 novel has been forgotten in lieu of the popular 1951 film by John Huston. However, those who want to experience the original without Hollywood's alternationsDprotagonist Charlie Allnutt is BritishDwill have to read the novel.
Copyright 2001 Reed Business Information, Inc.

From the Publisher
6 1-hour cassettes

About the Author
Cecil Scott "C.S." Forester was the pen name of Cecil Louis Troughton Smith (27 August 1899 - 2 April 1966), an English novelist who rose to fame with tales of naval warfare. His most notable works were the 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic era, and "The African Queen" (1935; filmed in 1951 by John Huston). His novels "A Ship of the Line" and "Flying Colours" were jointly awarded the 1938 James Tait Black Memorial Prize for fiction.

Most helpful customer reviews

14 of 14 people found the following review helpful.
C. S. Forester Knows How to Tell Stories
By gray
Some authors have the gift of putting words together in a way that entertains and enthralls the reader. C. S. Forester is one of the best. When Forester tells a story, the reader feels personally involved. We feel like we know the characters in a personal, intense way. If you have read Forester's Hornblower novels, you have read Forester at his best. The African Queen was made into a memorable movie starring Katherine Hepburn and Humphrey Bogart. The book is more intense, darker, and far less triumphant than the movie. If you thrill to the successes of Horatio Hornblower in Forester's navel novels, you might find African Queen a little depressing at times. If you like depressing novels (and apparently many readers do) you might give this book five stars. The story is set during World War I and involves the attempt by a missionary lady and an alcoholic English boatman to travel down a river in Africa to do battle with the Germans. The interaction between the characters and the river creates a riveting story. Like Hemingway, "I recommend Forester..."

21 of 23 people found the following review helpful.
A good movie. A very ,very good book.
By Yankee Dame
There is really not much to say except that the Hollywood movie is not really very much like the book. (Why does this not suprise me?) The story and the characters are much more human, possibly because they are not "Katharine H. and Boogie" and this is not Hollywood. The thundering falls, the hunger,the heat, the gloomy swamps, the smother lake of water lillies, the endless toil and hours...and then, in the end, to see their mission fail. As heart breaking and riviting as any book ever writen.

20 of 22 people found the following review helpful.
The devil is in the detail
By Peter Bowes
C S Forester knew his business. He knew a plausible method of turning an old river steamer into a torpedo, he knew the hellish consequences of losing a prop blade, of mooring in a mangrove swamp, of finding still water in a rapid.. And as he has proven so many times in the Hornblower novels, he knows the way of knaves and gentleman... This is a book for any age.

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Jumat, 09 Oktober 2015

~~ PDF Ebook Lola Levine: Drama Queen, by Monica Brown

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Lola Levine: Drama Queen, by Monica Brown

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Seven-year-old Lola Levine is fierce on the soccer field. She can do a slide tackle (although she's not supposed to) and even likes gooey worms. Nothing scares Lola! That is, until she is auditioning in front of EVERYONE for her class play. After Lola is overcome with stage fright, she's cast as Squirrel #2, a non-speaking part!

Lola is more than a little disappointed, and she looks to her bubbe for advice and comfort. But on opening night, the curtain rises, and she finds herself smack in the middle of an exasperating turn of events.

In this fun and heartfelt chapter book, can Lola give Squirrel #2 her own special stamp and make it a play to remember?

Sales Rank: #734506 in Books
Published on: 2016-01-05
Released on: 2016-01-05
Original language: English
Number of items: 1
Dimensions: 8.00" h x .50" w x 5.50" l, .40 pounds
Binding: Hardcover
96 pages

From School Library Journal
Gr 2-5-Effervescent seven-year-old Lola Levine tackles life with energy, bubbling-over enthusiasm, and her best friend, Josh, at her side. In this second book in the series, Lola and her classmates learn that they will attend drama class two days a week and perform in a play. Although she has been called dramatic, Lola isn't quite sure what she thinks of acting. When she auditions for a part, she is struck by stage fright and has to settle for the nonspeaking role of Squirrel #2. Thankfully, her artistic parents and her visiting Bubbe are right there to cheer her on. Readers will find much to love in Lola and her nurturing family. Dominguez's illustrations provide just the right touch to enhance the story. VERDICT This multicultural chapter book is a wonderful addition to public and school libraries. Highly recommended for fans of Sara Pennypacker's "Clementine" series (Hyperion).-Laura Fields Eason, Parker Bennett Curry Elementary School, Bowling Green, KYα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
"Readers will find much to love in Lola and her nurturing family. Dominguez's illustrations provide just the right touch to enhance the story."―School Library Journal

"Readers who first met Lola in Lola Levine Is Not Mean will be pleased to see her in a new role. This sequel should win her new fans."―Booklist

About the Author
Monica Brown, Ph.D. is the author of many award winning books for children, including Waiting for the Biblioburro, and Marisol McDonald Doesn't Match/ Marisol McDonald no combina. Monica's books are inspired by her Peruvian and Jewish heritage and desire to bring diverse stories to children.
Angela Dominguez was born in Mexico City, grew up in the great state of Texas, and now lives in Brooklyn. She is the author of Knit Together, Let's Go, Hugo!, Maria Had a Little Llama, and Santiago Stays.

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^ Free Ebook Marvel's Captain America: Civil War: Escape from Black Panther (Passport to Reading Level 2), by R. R. Busse

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Marvel's Captain America: Civil War pits hero against hero! Captain America and Iron Man lead two teams of heroes in a clash that will change the course of the Marvel Cinematic Universe.

Following the record-breaking success of Marvel's Captain America: The Winter Soldier, the First Avenger will jump into his next big screen solo adventure on May 6, 2016 in Marvel's Captain America: Civil War! Inspired by a classic Marvel comics storyline, the third cinematic Captain America adventure will put Cap against his fellow Avenger, Iron Man. Chris Evans will reprise his role as Captain America, joined by Robert Downey Jr. as Iron Man and Chadwick Boseman (42, Get On Up) as the Black Panther, a character who will make his big screen debut in the film.

Marvel's Captain America: Civil War will be directed by Anthony and Joe Russo (Marvel's Captain America: The Winter Soldier) and produced by Kevin Feige.

©2016 Marvel. All Rights Reserved.

Sales Rank: #62187 in Books
Published on: 2016-04-12
Released on: 2016-04-12
Original language: English
Number of items: 1
Dimensions: 9.00" h x .13" w x 6.00" l, .0 pounds
Binding: Paperback
32 pages

About the Author
© 2016 MARVEL. All Rights Reserved.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Too short
By China Mary
It's not a comic book.

Too short of a book for $3.99. The description says for ages 4-8...it's more like 4-5 year old. We like the DK Readers step reading books. They seem to have more pages or at least more words per pages.

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Kamis, 08 Oktober 2015

^^ Ebook Imaginative Inventions: The Who, What, Where, When, and Why of Roller Skates, Potato Chips, Marbles, and Pie (and More!), by Charise Meric

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Written in verse and filled with full-color illustrations drawn by the author, this book invites young readers inside the minds of great inventors, encouraging them to think imaginatively as it offers the origins of items such as roller skates, potato chips, eyeglasses, the vacuum cleaner, and more.

Sales Rank: #83911 in Books
Color: Multicolor
Brand: Little, Brown Books for Young Readers
Published on: 2001-09-01
Original language: English
Number of items: 1
Dimensions: 11.25" h x .37" w x 8.88" l, .97 pounds
Binding: Hardcover
32 pages

From Publishers Weekly
In this edifying volume, Harper (When I Grow Up) explains how such everyday things as gum, skates and potato chips came to be, though she qualifies her research by noting that "creative storytelling and imagination were also used to tell these tales." For instance, piggy banks originated from vessels made of a clay called pygg; Harper speculates, "Some potter probably said,/ after giving it some thought,/ `What if I take my fine pygg clay/ and make a pig-shaped pot?' " High-heeled shoes, which first appeared in 16th-century France, inspire a tall tale about a short king. The vacuum-cleaner's innovator is depicted as a neat freak who tries to inhale dirt from his furniture: "1901 was the year/ that he built his first machine./ It took two men to operate/ but really got things clean." Harper maintains a lighthearted mood by describing each item in doggerel verse. She paints naive portraits of inventors at work, frames each spread with a thematic border and provides trivia about her humble subjects ("The most popular doughnut with kids is the chocolate frosted"). With its crazy-quilt visual patterns, bouncy stanzas and fun facts, this miscellany zigzags between informational and whimsical. Ages 4-8.

From School Library Journal
Gr 1-4-Children who are interested in the origins of things will enjoy this whimsical look at how piggy banks, doughnuts, eyeglasses, high-heeled shoes, chewing gum, and more were created. Each of the 14 inventions is covered in a two-page spread. The main text is composed of four-line stanzas that note the date (or time period) of the invention and relate how the idea evolved. The verses are fun and anecdotal, such as the one about the violin-playing inventor of roller skates. "The night of the big party,/with wheeled skates upon his feet,/Joseph glided in while playing/and the crowd said, `Oh, how sweet.'" The busy pages each have a brightly colored background with thematic borders. On the right side of the spread, they list the inventor, place and date of the invention, and interesting facts and statistics about it. Fanciful cartoons are interspersed with the text. For a more conventional approach to the development of common things, Charlotte Foltz Jones's Accidents May Happen (Delacorte, 1996) is a good choice.

Lynda Ritterman, Atco Elementary School, Waterford, NJ

From Booklist
Gr. 2-4, younger for reading aloud. With both imagination and invention, Harper investigates the origins of some of the most cherished of childhood artifacts: potato chips, chewing gum, marbles, roller skates, pie. She does it in rhyme and with a kind of puckish and offbeat visual imagery. Figures are stretched and squashed, have pointy extremities and oversized heads. Each double-page spread is bordered on three sides by little acrylic and collage quiltlike squares that echo the subject of the verse. The fourth border is a series of quick facts of the who-what-where-when variety. The verses are well researched, although Harper reminds readers in a note that "creative storytelling . . . was also used to tell these tales." Irresistible is the source of piggy banks: in the Middle Ages, there was a soft English clay called pygg, from which people made jars to keep their cash. Eventually some potter made one in the shape of a pig, and the rest is history. GraceAnne DeCandido
Copyright © American Library Association. All rights reserved

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9 of 9 people found the following review helpful.
Creative and Stimulating!
By Sarah Robertson
This book is a must for any parent who wants to stimulate their child's curiosity in the world--and what parent doesn't? The subject matter focuses on everyday items, but provides interesting, little-known facts about these inventions(and probably some fun, harmless fiction). Great for getting kids to start thinking creatively about where the things around them come from, and how big ideas are generated. The illustrations are cute and witty, with spectacular colors. Each invention provides a great launching point for discussion with your children. What more could you ask?
This book was recently listed on the Time magazine web site as one of six "best children's books you've never heard of." The "never heard of" part won't last long...The authors first book (yes, I bought that one too!) is equally thought provoking about children's goals early in life, yet also, charming and sweet.

4 of 5 people found the following review helpful.
How do things get invented?
By Rebecca Brown
Did you know that there was life before Frisbees?
How long do you think doughnuts have been with us?
Who wanted the first pair of eyeglasses?
What about those Flat-Bottomed Paper Bags in which your parents bring home groceries?
Why did the passion for chewing gum stick?
Exactly how did the vacuum cleaner start sucking up dirt?
Questions, questions, odd & silly
answered in poems both factually & frilly!
A good book to start you wondering about how things got started & why.

0 of 0 people found the following review helpful.
Five Stars
By LLA
Good book. I ripped off the jacket so it did not look so much like a library book.

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Michael R. Gordon and General Bernard E. Trainor provide a definitive, behind-the-scenes account and anaylsis of the planning and execution of the Gulf War. While one war was being waged against Iraq, another was being fought among the generals themselves. "The Generals' War" offers unvarnished portraits of the top military commanders, challenges the performances of Powell, Schwarzkopf, and their generals, and provides disturbing information about the power struggles within the American high command. Using previously undisclosed military documents, "The Generals' War" goes beyond what happened to explain why and how, exploding myths that have crept into other accounts of the war.

Sales Rank: #542137 in Books
Published on: 1995-11-09
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.38" w x 6.00" l, 1.55 pounds
Binding: Paperback
576 pages

From Publishers Weekly
Drawing on interviews with senior officials and newly declassified documents, Gordon and Trainor provide a behind-the-scenes look at the Gulf War's generalship. The dominant figure, then-chairman of the joint chiefs General Colin Powell, is spotlighted as a politico-military maestro overseeing the dawn of a new era in military technology. In their review of the short, violent, one-sided war, the authors uncover the problems of cooperation among coalition forces and reveal details of interservice tensions, as well as difficulties within the U.S. branches themselves. This meticulous reconstruction of American leadership in Desert Shield/Desert Storm presents the conflict as a laboratory for testing new weapons and doctrine and the services' capacity for cooperation in the field. It also serves as an object lesson in the failure of deterrence and the problem of war termination, with a discussion of President Bush's premature cease-fire order. Gordon is chief New York Times Pentagon correspondent; Trainor is military columnist for the Times. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
If the Vietnam War was conducted by politicians in Washington, the war for Kuwait was, according to New York Times correspondent Gordon and retired general Trainor, our "generals' war." The authors astutely conclude that President Bush understood what his predecessors never did. Neither Johnson nor Nixon, nor for that matter National Security Council adviser Henry Kissinger, allowed the military to wage a winning war. The lesson was well learned by the savvy Gen. Colin Powell, chair of the Joint Chiefs of Staff, who directed his subordinates to lash out against the Iraqis with everything we had save for nuclear, biological, and chemical weapons. Kuwait was not Vietnam, however, and the unmotivated Iraqis were not the Vietcong. Aggrandized as "the world's fourth largest military," the enemy fizzled away within hours when confronted with the world's premier military force. Thus, it came as no surprise that Washington won the battle, but with Saddam Hussein still in power four years after hostilities ended, has it won the war? This cogent analysis provides several disturbing answers worthy of our attention. Recommended for informed lay readers and specialists.
Joseph A. Kechichian, Rand Corp., Santa Monica, Cal.
Copyright 1994 Reed Business Information, Inc.

From Booklist
This inside view of the battle between high U.S. command officers in the conflict with Iraq is a fascinating and sustained analysis of the friction that takes place in real warfare. Writer Gordon teams with retired Marine general Bernard Trainor to record the struggles of the generals of the combined services in their endeavor to plan and execute the massive 500,000-troop movement that achieved the short and stunning victory over Iraqi forces. An important question is posed: Why didn't the generals press on to dismantle the Republican Guard of Saddam Hussein, and what were the consequences of their decision against such an act? The Air Force strategy called for constant precision bombing in the heart of Baghdad. Over 30 days of bombing weakened but did not finish off the enemy. The land attack, whose success was clearly foreshadowed, was concluded too soon and allowed Hussein to keep the Republican Guard intact. The authors believe that the cautious philosophy of General Colin Powell and the eagerness of General Norman Schwarzkopf to get out with an Army victory, combined with the decision of President Bush and his advisers, led to the unfortunate staying power of Saddam Hussein. The final conclusion is undeniable--the gate had not been closed in Iraq, and this book explains why. Eugene Sullivan

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29 of 31 people found the following review helpful.
Well-documented, slightly biased history of Gulf War
By A Customer
The authors provide interesting, behind-the-scenes accounts of the political and military players in this war, based on many interviews. What unfolds is far different from what was said publicly at the time.

Occasionally, the New York Times reporter's and the retired Marine's apparent biases show through, detracting from an otherwise very good book. They seem to blame President Reagan's administration for not buying mine-clearing equipment for the Marines and the Navy, but then blame the Air Force--and not the administration--for using its money to buy items other than the latest survival radios for its aircrews. They also inaccurately claim that the Air Force developed a new doctrine for this war where they would be in charge of all theater airpower (a doctrinal concept developed by them during the North African campaign in World War II) and that the Strategic Air Command had controlled the B-52s deployed to Southeast Asia during the Viet Nam War (they actually were operationally controlled by the Theater), as well as a few other inaccurate items regarding the Air Force. It became rather apparent that all Services that were not Marines (and to a lesser extent, Navy) were denigrated. An example is their claim that the Air Force required that friendly aircraft obtain two means to verify an unknown aircraft's identification before firing on it in order to hold down the Navy's 'kill' rate (since the Navy had not invested in the systems to install two separate means of identification on each of their aircraft, they needed to contact the AWACS to obtain the second means). The Viet Nam War demonstrated this requirement and for whatever reason, the Navy had not addressed it in the interim--which the authors evidently refused to say.

After summarizing what the politicians and military should do differently next time (after acknowledging that the media's outcry that the military had created killing zones north of Kuwait City partially caused the premature ending of the war), they also conveniently omitted a recommendation on what the media should do differently.

Although the items cited above and a few similar ones throughout the book are distracting and cast some doubt on the entire book, their documented sources were sufficient (approximately one per page) to make them generally believable.

I would recommend the book to anyone wanting to know what occurred behind the scenes, with a caution that it should be read critically and not be used as the reader's only source.

17 of 17 people found the following review helpful.
A detailed and hard-hitting account of the Gulf War
By Michael J. Mazza
In "The Generals' War: The Inside Story of the Conflict in the Gulf," Michael R. Gordon and Bernard E. Trainor have crafted a fascinating work of military history. As the title indicates, the book places a heavy emphasis on the actions of the senior military officers involved in the planning and execution of the U.S.-led coalition's 1991 war against Iraq. In the preface, the authors note that this conflict "is without precedent in the annals of warfare. It was the dawn of a new era" (page x).

In their acknowledgements section, the authors discuss in detail the research that went into the writing of this book. They note that they interviewed administration officials, diplomats, allied military officers, and intelligence experts; they observe further that some "talked on the record; others on a not-for-attribution basis." They also drew on written responses that former president George Bush provided to their questions. Their research is meticulously documented in a lengthy set of endnotes (pages 479-520), thus enhancing the book's credibility. The text is further enhanced by thirteen detailed and clearly drawn maps that illuminate many aspects of the war: the Iraqi air defense system, coalition force deployment and movement, locations of oil fields, and more. Also included are photographs of many of the senior leaders involved in the war.

The book is full of fascinating details about many aspects of the war. The authors discuss the participation of various coalition forces in the campaign, as well as the diplomatic activities involving the USSR, Egypt, and other nations. Also discussed are friendly fire incidents and Iraqi POWs. I was particularly interested in the many details about the military hardware used by both coalition and Iraqi forces; the authors cover aircraft, naval vessels, sea and land mines, mine-clearing gear, tanks, and more. There are some really noteworthy battle scenes; particularly vivid is a description of a tank battle between U.S. and Iraqi forces--"an impressive tableau of destruction."

Gordon and Trainor are pointedly critical of many aspects of the conduct of the war. They discuss examples of rivalry and poor coordination between the different branches of the U.S. military, and also criticize the French and the Saudis. But the strongest and most sustained criticism is directed at General Norman Schwarzkopf. The authors assess both his command style and planning of the war and ultimately fault him for failing to achieve true joint warfare. The book places a heavy emphasis on the battle of Khafji; the authors discuss this engagement in detail and criticize both Schwarzkopf and General Colin Powell for failing to grasp its lessons.

Gordon and Trainor note that the Persian Gulf War was "a laboratory for the American military's new weapons and fighting doctrines." This well-written book vividly shows how hardware, tactics, diplomatic concerns, and personalities came together in the fighting of this war. This is a valuable addition to the military history of the late 20th century.

22 of 23 people found the following review helpful.
A Good Companion Piece to "Crusade"
By A Customer
This is the third book that I, a veteran of Desert Shield and Storm, have read about the Gulf War. I agree with the previous reviewers' comments that the book is judgmental (sometimes on peripheral issues). However, "judgmental" is not always a dirty word. The bottom line is that we failed to destroy the Republican Guard. Failing to do so made Saddam's survival much less problematic (see "Out of the Ashes" by the Cockburns for a good account of Hussein's astonishing resilience.
I also thought the argument about the battle of Khafji was intriguing. I didn't think it at the time, but our victory there should have told us we would roll over the Iraqis and that VII Corps' plans for a long campaign were unrealistic.
But as they say...
the saddest words of tongue or pen, are the words 'it might have been.'

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Three classic graphic novels in one deluxe hardcover edition: Red Rackham's Treasure, The Seven Crystal Balls, and Prisoners of the Sun.

Sales Rank: #42471 in Books
Brand: Little, Brown Books for Young Readers
Published on: 2007-04-01
Original language: English
Number of items: 1
Dimensions: 8.38" h x .59" w x 6.50" l, 1.08 pounds
Binding: Hardcover
192 pages

Amazon.com Review
Volume 4 of the 3-in-1 Tintin series begins in the middle of an adventure, concluding the story begun in The Secret of the Unicorn. (Keeping all the two-part stories together was not possible in the 3-in-1 format because chronologically, the Unicorn/Rackham and Crystal/Prisoners two-parters are back to back.) Red Rackham's Treasure follows Tintin and friends as they search for the pirate booty procured by Captain Haddock's ancestor, Sir Francis Haddock, in the West Indies. They receive some unexpected help in the form of a hard-of-hearing inventor named Professor Calculus, who would go on to become one of the most endearing characters of the series. (Herge admitted that the character was one "whom I never suspected would take on such importance.") It's a lot of fun, with some submarine and diving adventures, humor from the Thompsons, and an unexpected (but satisfying) ending. The Seven Crystal Balls begins on a light note, as Captain Haddock tries to adjust to his new life as a gentleman following the events of Red Rackham's Treasure. He wears a monocle and frequents the music hall, where in a not-unusual coincidence he and Tintin happen to find General Alcazar (The Broken Ear) and the dreaded diva Bianca Castafiore. However, it's the act of fakir Ragdalam with Madame Yamilah, the amazing clairvoyante, that reveals the central adventure: the scientists excavating the tomb of Racar Capac have incurred the curse of the Inca. Despite the efforts of bungling detectives Thompson ("With a P, as in Philadelphia") and Thomson ("Without a P, as in Venezuela"), the explorers are stricken, and one of Tintin's closest friends disappears mysteriously, leading to a trip to Peru in the second part, Prisoners of the Sun. After The Seven Crystal Balls set the eerie stage, Tintin and his friends continue their adventures in Peru. There Tintin rescues an orange-seller named Zorrino from being bullied, and the young man becomes their guide in their quest to find the Temple of the Sun. But they find more than they bargained for and end up in a hot spot. The perils of this engaging two-part adventure are especially harrowing in their combination of the supernatural and the real, although the resolution is a little too deus ex machina. Calculus and the Thompsons provide their usual comic relief.

The 3-in-1 format provides excellent value, but the small size (about 40% smaller than the single-story paperbacks) makes it harder to enjoy the detail in Herge's layouts. --David Horiuchi

Language Notes
Text: English
Original Language: French

About the Author
Hergé, one of the most famous Belgians in the world, was a comics writer and artist. The internationally successful Adventures of Tintin are his most well-known and beloved works. They have been translated into 38 different languages and have inspired such legends as Andy Warhol and Roy Lichtenstein. He wrote and illustrated for The Adventures of Tintin until his death in 1983.

Most helpful customer reviews

27 of 29 people found the following review helpful.
Why's Tintin so unique in the world of comic books ?
By fortune11
Of course we've all grown up with so many fiction characters from DC/Marvel comics, Disney, Archie's`etc., each of them with its own appeal and flavour ...
What sets Tintin apart from all the rest, I feel, the brilliant quality of the artwork. The level of detail, right from the wheels of flight 714 about to land on that tiny island (flight 714), to the shadow effects of walking in a hidden passage to the Inca empire (prisoners of the sun), to the shape of the waves on which Tintin in a coffin is floating (cigars of the pharaoh), or the jaguar in which Tintin chases the gangsters (the calculus affair), the details are just fantastic and the right amount, without creating too much noise and distraction - as is the case with many of the DC comics - iron man, the incredible hulk, etc.
The stories range from contemporary to looking ahead in the future - swing wing planes, rockets to the moon, hidden cameras/espionage. The subject matter is political, and in my opinion slightly controversial at times. Especially the way Herge stereotypes native people in India (Cigars of the Pharaoh, Tintin in Tibet), or in the jungles of Amazon (The Broken Ear). But even here, Herge is way above the shady and simplistic plots of the like of Phantom and Flash Gordon.
The collection is more readable towards the later comics, some of the earlier ones contains situations which are too improbable and rely far too much on luck for Tintin to get himself out of danger.

18 of 19 people found the following review helpful.
prints were too small
By Mariam
Unfortunately I had to return the 4 tintin book I purchased from the Amazon. Amazon does not indicate the size of the books when you purchase them. The original sizes of the comic books were 8.5"x12". The new sizes however are reduced to 6.5"x9" and the prints are too small to read.

26 of 29 people found the following review helpful.
Watch out - Small Size
By Giant Panda
Watch out, this 3-in-one comes in a smaller size than the regular single adventures. Makes it harder to read and harder to enjoy the graphics.

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Muddy Waters bestrides American music like a colossus. He invented electric blues and created the foundation for rock and roll. Leaving behind the cotton fields of rural Mississippi, he moved to Chicago, plugged in an electric guitar, and changed the world. In CAN'T BE SATISFIED, Robert Gordon gives us Muddy's epic, rollicking, up and down life as we've never read it before. Combining the most extensive research and interviews ever done on Muddy with a writing style as rich, poetic, and powerful as the music he writes about, Gordon transports us: We are alongside Muddy in the cotton fields as he is discovered by Alan Lomax; we are on the South Side of Chicago as Muddy and his band become stars and innovators; and we follow Muddy through scores of women, hits, bottles of booze, and moments of divine grace. A must for blues and rock fans, CAN'T BE SATISFIED is a brilliant work of musical archaeology.

Sales Rank: #836586 in Books
Published on: 2002-06
Original language: English
Number of items: 1
Dimensions: 9.50" h x 1.33" w x 6.33" l,
Binding: Hardcover
320 pages

From Publishers Weekly
Muddy Waters's wailing slide guitar, stuttering rhythm and boisterous, sex-drenched lyrics (see "Hoochie Coochie Man" and "I Got My Mojo Working") inspired a generation of bluesmen and rock-and-rollers including a modish band of Brits who copped their name from his classic tune "Rollin' Stone." In this engaging biography, Gordon ("It Came from Memphis") mines some new territory, but the real punch comes from his telling, which reads as if he were on the front porch with friends, passing a half-pint of whiskey. Describing Waters's (n‚ McKinley Morganfield) birthplace in Issaquena, Miss., he writes that it was "where farmhands partied on weekends because they'd survived another week, because the land didn't swallow them, the river didn't drink them, the boss man didn't kill them...." In the early 1940s, Muddy fled to Chicago, cut several big hits for the budding Chess record label and became an international star. The author points out, however, that Muddy never left behind an ingrained obedience from his sharecropper days. Over the years, he would allow his bosses to tamper with his style often with embarrassing results and with his fair take of the profits. And as Gordon notes, success never did satisfy his other main passion. "He went through several wives, and always had women on the side, and women on the other side too." After all, Muddy wasn't just talkin' blues he was the blues.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
After arriving in Chicago from Mississippi in 1943, Muddy Waters (born McKinley Morganfield) became the first successful blues man to play electric guitar while performing in the style of his heroes Robert Johnson and Son House. Gordon (It Came from Memphis) treats Muddy with the same dignity that he seemed to exude in real life. The story opens with Alan Lomax's "discovery" of Waters during one of his famous field recording expeditions for the Library of Congress. Not long after, Waters reached legendary status as the premier artist on Chicago's Chess Records. Lean times then struck in the 1950s and 1960s as rock'n'roll pushed aside the blues, but in the 1970s Eric Clapton and the Rolling Stones (named after one of Muddy's songs) turned on a whole generation of white youth to their musical idol. Gordon reveals Muddy's family life to be almost as rocky: he left several illegitimate children in his wake. Rather than judge his subject, however, Gordon lets the music do the talking. With vivid prose ("The rhythm evokes the banging of a tattered suitcase being pulled down a bumpy road"), he shows that Muddy didn't have to put on an act; he was the Hootchie Coochie Man, and he did have his mojo working. Likely to become the leading biography of this legendary artist, the book is recommended for all popular, blues, and ethnomusicology collections. Also available, though unseen by the reviewer, is Sandra B. Tooze's Muddy Waters: The Mojo Man. Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2002 Cahners Business Information, Inc.

From Booklist
*Starred Review* Gordon's biography of Muddy Waters starts on Stovall's farm, where a barefoot McKinley Morganfield--Muddy's birth name--heard that "a white man was looking for him." That was Alan Lomax, who recorded guitarist Muddy's repertoire (see appendix for a list) for the Library of Congress. Muddy "didn't know what did he mean by the Library of Congress," but he got wise soon, moved to Chicago, switched to electric guitar, and created the quintessential urban blues sound. Throughout, Gordon details the gritty life reflected in Muddy's lyrics--you almost need a scorecard to keep up with the familial and extra-familial affairs of Muddy, his wives, and his outside women--rather than slings music theory, thereby creating the least tidied-up biography of a bluesman in ages, it seems. He makes Muddy the musician, Muddy the man, Muddy the parent, and Muddy the tool of the (not so) sainted Chess brothers come alive. You can feel the ugly winds of racism, hear the cacophony of the Chicago ghetto (Muddy's house stood on the dividing line between the Blackstone Rangers' and the Devil's Disciples' turfs), and share the exhilaration of Muddy's music--not to mention his way of living: told that liquor was killing him, he switched to champagne and recorded "Champagne and Reefer." Packed with facts, copiously referenced, and featuring a foreword by blues aficionado and riff-copper Keith Richards, this book is absolutely essential for any popular music collection worthy of the name. Mike Tribby
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

28 of 32 people found the following review helpful.
Wasn't that a man
By A Customer
...
Such was the power of Muddy Waters, the rollin' stone from Rolling Fork, Mississippi, whose stark, raw songs transformed popular culture. Robert Gordon, who comes from Memphis, an hour or two north of where Waters grew up, has written the first extended biography that captures the elusive character of this hugely influential man. Waters' life was changed when self-aggrandising musicologist Alan Lomax drove up the dirt road, parked outside the shack in the middle of cotton fields, and asked for a guitar player he'd heard about. (Lomax leaves his black assistant out of his biography; Gordon restores his place in history.) Waters - already nearly 30, but still ploughing fields - sang some tunes for Lomax, and hearing his voice on an acetate showed him the possibilities that lay beyond the wide, wide horizon of the Delta.
Muddy Waters was illiterate, so Gordon - author of It Came From Memphis, a splendid social and musical history which manages to leave out Elvis - had to reconstruct his life story from interviews with his band members (many just before they died), the Chess family, and his children, legitimate and illegitimate. There are many of the latter; Muddy didn't go far without a "road wife": "[he] went through several wives, and always had women on the side, and women on the other side too." Gordon doesn't shy from the irresponsible, self-absorbed side of Muddy, a man who'd cheat on his wife without conscience, but support a musician in trouble just as casually. This is often a dark story, full of guns, violence, hard liquor and loose living. Success brought fame but not wealth to Muddy, thanks to his umbilical, exploitative relationship with Chess Records, a continuation of the "furnish" support he got from his cotton farmer back in the Delta.
This is the work of a Southern storyteller, it's like sitting back on the porch listening to tales tall and true. Gordon evocatively describes the various scenes of Muddy's life: the cotton economy, the early electric blues of Chicago, the endless road trips, the magic of the Chess studios, and the highs and lows of a career that generated more respect than cash. In Chicago, Muddy's "South Side house stayed rocking. Phones ringing, meats frying, and greens boiling, the TV broadcasting a baseball game, a shoot-'em-up. Muddy, in black T-shirt and black boxers. And always there was music." In the basement, his ever-changing band practiced chords that never changed, but changed the world. Wasn't that a man. A full-grown man.

14 of 16 people found the following review helpful.
Book does justice to the King of Chicago Blues
By R. Weinstock
Mmephis writer Robert Gordon has written a gem of blues biography of the legendary Muddy Waters tracing his background in the delta through his emergence as the King of the Chicago blues scene in the fifties to the up and down fortunes of his career as musical tastes shifted and as his music reached new audiences until his death almost two decades ago. Gordon intergates materials from the interviews that Muddy did for various specialist publications (like DownBeat, Living Blues) with his own interviews and other material from Muddy's relatives, bandmembers, managers and others for a book that is one of the better recent musical biographies I have read.
Muddy and his music is brought to life. Unlike the other Muddy biography, Gordon provides some blood and flesh to Muddy as opposed to rendering him simply as some legendary icon and also brings the music to life along with some thoughtful commentary on the music.
Anyone seriously into blues will need to have this. This books sets a high standard for biographies on Little Walter and Elmore james that are scheduled to be issued in the upcoming months

11 of 13 people found the following review helpful.
Notes Section is a Nice Touch
By Amazon Customer
Robert Gordon has the subject of a lifetime in telling the tale of an illiterate sharecropper born McKinley Morganfield. Morganfield's story starts with him working sun to sun in the Mississippi cotton fields and playing fish fries with an acoustic box. It eventually ends with Muddy Waters fully electrified on international stages and at the White House (where, according to Calvin Jones, they didn't get paid a dime and were feted with hot dogs). In between are tales of car wrecks, knife fights, dumbheaded attempts at "updating" his rural sound, royalty ripoffs, hired musicians, fired musicians, and rehired musicians.
Waters is definitely a problematic individual - fiercely protective of those who cut the trail in front of him (ie Son House), loyal to the paternalistic systems of Stovall and Chess, yet also rampantly adulterous and unable to protect some of his children from the ravages of heroin and street life.
In the best of the oral blues tradition, Gordon has used the words of those who lived and played with Waters, including Marshall Chess, James Cotton, Willie Smith, and Jimmy Rogers, to flesh out the portrait. Their stories are the best part of the book. Everyone in the band drank heavily, everyone carried knives and guns, everybody had a pretty girl waiting on them in the next town. The reminiscences of harpist Paul Oscher are particularly amusing, while the perspective of Muddy's granddaughter Cookie reveals there were definitely two men wearing the same shoes - the decent provider and family man Morganfield and the stage persona and adulterer Muddy Waters.
In the end, Gordon succeeds, although the topic is so rich it's almost like shooting fish in a barrel..., "Can't be Satisfied" does a fine job of recreating the life and times of Muddy Waters.

See all 47 customer reviews...

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