Sabtu, 05 Juli 2014

* Ebook Free Monster High: The Cool Ghouls Complete Boxed SetGitty Daneshvari

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Monster High:  The Cool Ghouls Complete Boxed SetGitty Daneshvari

All the Cool Ghouls go to Monster High!Follow Rochelle Goyle, Venus McFlytrap, and Robecca Steam on their adventures with the rest of the Monster High students disembody as they solve a creeperific mystery! This hardcover boxed set includes all four novels in the series: Ghoulfriends Forever, Ghoulfriends Just Want To Have Fun, Who's That Ghoulfriend? and Ghoulfriends 'til the End.

  • Sales Rank: #2027708 in Books
  • Published on: 2014-11-04
  • Released on: 2014-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.63" h x 4.00" w x 5.88" l, .0 pounds
  • Binding: Hardcover
  • 1072 pages

About the Author
Gitty Daneshvari was born in the creepy crawly yet ever so sunny city of Los Fangeles. As a young ghoul she was loquacious, curious, and freakishly fearful. Worried about everything from matted fur to aliens invading to getting stuck in an elevator, her diverse range of phobias was a most burdensome flaw. However, as she grew up and faced her fears, Gitty found they were the perfect inspiration for her defrightful middle grade series School of Fear.

Gitty currently lives in New Volt City with her spooktacularly smelly English Bulldog Harriet.

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0 of 0 people found the following review helpful.
Five Stars
By Gramma Mary
Great gift for Granddaughter.

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Jumat, 04 Juli 2014

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On Killing: The Psychological Cost of Learning to Kill in War and Society, by Dave Grossman

Lt. Col. Dave Grossman draws unsettling, even sinister parallels between the psychological conditioning required to make soldiers kill in war and the similar effect that videos, films, games and movies have in civilian society.

  • Sales Rank: #71254 in Books
  • Published on: 1996-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x 1.13" w x 5.38" l,
  • Binding: Paperback
  • 366 pages

From Publishers Weekly
Drawing on interviews, published personal accounts and academic studies, Grossman investigates the psychology of killing in combat. Stressing that human beings have a powerful, innate resistance to the taking of life, he examines the techniques developed by the military to overcome that aversion. His provocative study focuses in particular on the Vietnam war, revealing how the American soldier was "enabled to kill to a far greater degree than any other soldier in history." Grossman argues that the breakdown of American society, combined with the pervasive violence in the media and interactive video games, is conditioning our children to kill in a manner siimilar to the army's conditioning of soldiers: "We are reaching that stage of desensitization at which the infliction of pain and suffering has become a source of entertainment: vicarious pleasure rather than revulsion. We are learning to kill, and we are learning to like it." Grossman, a professor of military science at Arkansas State University, has written a study of relevance to a society of escalating violence.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
Grossman (psychology, West Point) presents three important hypotheses: 1) That humans possess the reluctance to kill their own kind; 2) that this reluctance can be systematically broken down by use of standard conditioning techniques; and 3) that the reaction of "normal" (e.g., non-psychopathic) soliders to having killed in close combat can be best understood as a series of "stages" similar to the ubiquitous Kubler-Ross stages of reaction to life-threatening disease. While some of the evidence to support his theories have been previously presented by military historians (most notably, John Keegan), this systematic examination of the individual soldier's behavior, like all good scientific theory making, leads to a series of useful explanations for a variety of phenomena, such as the high rate of post traumatic stress disorders among Vietnam veterans, why the rate of aggravated assault continues to climb, and why civilian populations that have endured heavy bombing in warfare do not have high incidents of mental illness. This important book deserves a wide readership. Essential for all libraries serving military personnel or veterans, including most public libraries.
Mary Ann Hughes, Neill P.L., Pullman, Wash.
Copyright 1995 Reed Business Information, Inc.

From Booklist
What makes soldiers kill--or not--animates this intriguing survey by a psychologist and former U.S. Army officer. Grossman reveals that only a fraction of soldiers kill during warfare (and feel revulsion when they do); the rest (about 85 percent in World War II) resist by missing the target or refusing to fire. With an eye to the military command's imperative of overcoming that innate resistance, Grossman quotes numerous anecdotes that exemplify the phenomenon and studies that examine it. With such knowledge, the military has implemented training that gets firing rates up to 90 percent of soldiers, but the psychic cost of blazing away for real is heavy. Individually, a killer goes through thrill-remorse-rationalization stages; socially, the killer needs reassurance and if it is not received, will suffer post-traumatic stress syndrome, characteristic of Vietnam veterans. Grossman concludes his findings of "enabling factors" in killing by identifying them at work in the rampant violence afflicting American society. A book that requires some steely fortitude to finish, but once done, On Killing delivers insights on human nature that are both gratifying and repelling. Gilbert Taylor

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452 of 487 people found the following review helpful.
A fascinating study
By Andrew McCaffrey
ON KILLING is the study of what author Lt. Col. Dave Grossman has termed "killology". This odd term describes, not killing between nations, but the exact circumstances involved when one individual ends the life of another individual, with the primary focus being on combat situations. I've sometimes wondered how I (someone who has never been anywhere near armed conflict) would fare on the frontlines, as killing another human being seems like an almost impossible psychological task. As Grossman casts an eye over historical reports of combat, he found that, apparently, I wasn't alone in thinking that. During the First and Second World Wars, officers estimated that only 15-20 percent of their frontline soldiers actually fired their weapons, and there is evidence to suggest that most of those who did fire aimed their rifles harmless above the heads of their enemy.
Grossman's argument is carefully researched and methodically laid out. He begins by filling in some historical details, discussing the statistics for shots fired per soldier killed for the World Wars and the American Civil War. It's a refreshing and enlightening look at war that dispels a lot of misconceptions. An average solder in those wars was extremely reluctant to take arms against fellow humans, even in cases where his own life (or the lives of his companions) was threatened. Not to say that any of these people are cowards; in fact, many would engage in brave acts such as rescuing their comrades from behind enemy lines or standing in harm's way while helping a fellow to reload. But the ability to stare down the length of a gun barrel and make a conscious effort to end a life is a quality that is happily rare.
The book continues on then, detailing what steps the US Army took to increase the percentage that they could get to actually fire upon their enemy. By studying precisely what the soldier's ordinary reactions were, the officers were able to change the scenario of war in order to avoid the most stressful of situations. The soldier found up-close killing to be abhorrent, so the emphasis was countered by inserting machinery (preferably one manned by multiple soldiers) between the killer and the enemy to increase the physical and emotional distance. Every effort is made to dehumanize the act of killing.
Grossman spends a great deal of time discussing the trauma that the solder who kills faces when he returns to civilian life. Nowhere is this more apparent than in those veterans who returned from Vietnam. Those soldiers had been psychologically trained to kill in a way that no previous army had gone through, and there was no counteragent working to heal their psychological wounds. Grossman takes great pains to discuss how horrifying the act of killing is, and points out how detrimental it is to one's mental health. When the Vietnam veterans returned home to no counseling and the spit and bile of anti-war protestors, the emotional effect was astounding. Most of Grossman's thesis is supported by in-depth interviews and psychological profiles, but it is the story of the Vietnam veterans that comes across as the most disturbing.
Much of the chatter about this book seems to revolve around the final section, the discussion about our own civilian society. While this is understandable, I actually preferred reading the earlier portions, simply because they opened my eyes to a lot about the military that I had been previously ignorant of. I think it would be a mistake to concentrate solely on the argument's conclusion as it rests heavily on the case that has been building. In any event, the book eventually develops its final conclusion: the methods that the military uses to desensitize its soldiers to killing are also being used in our media, but without the proper command structure that keeps people from killing indiscriminately. In a military situation, firing a weapon without proper authorization or instruction is a very serious offense, and this is drilled into the mind at the same time as the desensitization. Without this safety, there is nothing to hold back the killing instinct, and this is one of the main reasons why the homicide rate has increased so dramatically.
Now, I'll say right off the bat that I was partial to this line of argument before I read the book; I think that children repeatedly exposed to such images would almost certainly become blasé towards extreme violence. But Grossman's book gave me so much more to think about. It isn't just a Pavlovian force at work here; Grossman points out many reasons (both stemming from society and the changing family structure) for why young people of today seem much more able to kill than their parents and grandparents were.
I was honestly surprised at how strong of a writer Grossman is. He manages to put forth his argument without boring the reader. By its very nature, a lot of what he discusses is repetitive and disturbing, but the subject matter is so compelling that I didn't mind. Grossman is very logical in his approach and his argument is a powerful one. I highly recommend this book, especially for people like myself who have never experienced war at close quarters. The summary I (and others here) have given is simply not nearly adequate to capture all of Grossman's thorough contentions. ON KILLING made me think harder about a subject that I hadn't given a lot of thought too before. The information and research here is invaluable.

139 of 150 people found the following review helpful.
Fantastic book
By R. Mclatcher
As a police officer we spend many hours in various forms of training. Some of this training is dedicated to the rules surrounding the use of our department issued firearms. Some of this training is dedicated to the physical skill of firing this weapon. None of the training is dedicated to what you go through after having actualy used this weapon against another human being in self defense. The extent of my departments response was...absolutely no critical incident debriefing and my appointment with the department phycologist occured 9 days after the shooting. The evaluation by the physcologist last 23 minutes total. At that point I knew that my well being was up to me to provide for. After some research I located this series of books by Dave Grossman. Purchasing these books was the best thing I could have done for myself. The information within these pages helped me understand all the stages of emotion that I was, and still am, going through. I would recommend these books to anyone in the military or in lawenforcement (or any family memeber there-of). They may very well have saved my sanity.

70 of 75 people found the following review helpful.
LTC Grossman was my favorite Commander.
By R. Allbrandt
I just wanted to write a quick note and review about LTC Grossman's book and his character. I read a review which stated that, "His only vaguely denounced and hidden desire to change the US Constitution make me want to examine Mr. Grossman's education and military record in depth."

Let me say, I served briefly under LTC Grossman, then Major Grossman as a new Second Lieutenant in the US Army. He was, in my opinion, one of the most intelligent, thoughtful, and studied officers I ever had the privilege of serving with. It was LTC Grossman, that first instilled in me how a professional soldier acts, thinks, commands, and motivates. LTC Grossman used to give a speech to ROTC Cadets during summer training at Ft. Lewis, WA that was so motivational, by the end the cadets would literally stand up and scream for more. The Army videotaped the presentation and often tried (unsuccessfully) to duplicate it. LTC Grossman used to lead philosophical discussions about the "warrior spirit" that would engage even the least interested. He first enlightened me to think about the mind of our enemy ("One man's terrorist is another man's freedom fighter") and has helped me understand the minds and motivation of those that attacked the U.S. on 9/11 (I served under LTC Grossman in 1996). You will not defeat an enemy until you understand and address the root cause of their grievances.

For those interested in LTC Grossman's thoughts, I can recommend taking a look at several of Robert Heinlein's books, which LTC Grossman recommended to me. Specifically, "Starship Troopers", the book bastardised by Hollywood in the movie under the same name.

Many of LTC Grossman's teachings remain with me today, and he is one person that will impart knowledge that stays with you for a lifetime. While studying for my MBA, I wrote my business plans in accordance with the 5 paragraph OPORD, or Operations Order, and as a result I had more than one professor ask me to review independent grant, business, and research proposals.

I read LTC Grossman's book as a Cadet, and while I have to admit, much of it made me feel intellectually humble, his overarching hypothesis has passed the litmus test of time. After the Columbine shootings in Colorado, I saw LTC Grossman on a morning talkshow addressing many of the concerns premised in his book "On Killing" which was several years old by then. The events of 9/11 make me believe that we can all learn a little from LTC Grossman that will help this nation understand who, what, why, and how this nation will fight and win the war against terror.

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Selasa, 01 Juli 2014

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Marvel's Ant-Man: The Incredible Shrinking Suit, by Chris Strathearn

The next evolution of the Marvel Cinematic Universe brings a founding member of The Avengers to the big screen for the first time with Marvel Studios' "Ant-Man."

Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.

© 2015 Marvel. All Rights Reserved.

  • Sales Rank: #1449893 in Books
  • Published on: 2015-06-16
  • Released on: 2015-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .13" w x 8.00" l, .0 pounds
  • Binding: Paperback
  • 24 pages

About the Author
© 2015 Marvel. All Rights Reserved.

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In 1952, Hellman joined the ranks of intellectuals and artists called before Congress to testify about political subversion. Terrified yet defiant, Hellman refused to incriminate herself or others, and managed to avoid trial. Nonetheless the experience brought devastating controversy and loss. First published in 1972, her retelling of the time features a remarkable cast of characters, including her lover, novelist Dashiell Hammett, a slew of famous friends and colleagues, and a pack of "scoundrels" -- ruthless, ambitious politicians and the people who complied with their demands.

  • Sales Rank: #769074 in Books
  • Published on: 2000-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .41" w x 5.51" l, .52 pounds
  • Binding: Paperback
  • 155 pages
Features
  • ISBN13: 9780316352949
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
KATHY BATES is an Academy Award-winning American theatrical, film, and television actress, and a stage and television director.

Garry Wills is a Pulitzer Prize-winning historian and cultural critic, and a professor of history at Northwestern University. A recipient of the National Book Award, his many books include "Lincoln at Gettysburg", "Reagan's America", "Witches and Jesuits", and a biography of Saint Augustine. He lives in Evanston, Illinois.

Most helpful customer reviews

7 of 7 people found the following review helpful.
One day in May.
By Michael G.
In the spring of 1952, Lillian Hellman was ordered to Washington to appear before the House Unamerican Activities Committee (HUAC). The length of her testimony was only a few minutes more than one hour and consisted of repeatedly invoking the Fifth Amendment. Nevertheless, the experience had a chilling and sobering effect on her. So much so, it took her more than two decades to attain the necessary degree of emotional equilibrium to write about it. The result is Scoundrel Time a short, curious book.
Miss Hellman deftly describes the nightmarish environment in which she found herself once subpoenaed to testify. Like so many film industry artists who had gone before her, she knew she would be required to "name names"; something she could never bring herself to do even though failure to do so could mean jail or further harrassment.
After her one HUAC appearance, she was never called to testify again and, other than some difficulties with passport renewal, suffered no official governmental sanctions. However, she was immediately blacklisted and her highly successful screenwriting career came to a screeching halt.
Included within the pages of Scoundrel Time are many anecdotes about the author's life during those troubling years. Some of these anecdotes appear to have little or nothing to do with the topic at hand and it's not at all clear why they were selected and others left out.
The introduction (which takes up more than 20% of the book) was written by Garry Wills and gives some historical perspective on HUAC. Wills explains how the committee was founded in 1938 but only came into its own after the Cold War era had begun.
All in all, an interesting read about a regrettable period in US history. One which contains valuable lessons applicable to the present day.

6 of 6 people found the following review helpful.
"I cannot and will not cut my conscience to fit this year's fashions."
By Gary F. Taylor
Lillian Hellman (1905-1984) originally came to public attention as the author of THE CHILDREN'S HOUR and would go on to create a number of other landmark plays for the stage, including WATCH ON THE RHINE, THE LITTLE FOXES, and TOYS IN THE ATTIC. She is easily among the great American dramatists of the 20th Century--but even so she is perhaps more famous for the events of 1952, the year in which she faced the infamous House Un-American Activities Committee at the height of its dark powers... and the committee blinked.

In 1969 Hellman published the autobiography AN UNFINISHED WOMAN; in 1973 she continued writing of her life with PENTIMENTO; and in 1976 she wrote an account of her encounter with HUAC in SCOUNDREL TIME. All three books were controversial, and writer Mary McCarthy famously stated "Everything she writes is a lie--and that includes 'and' and 'the!'" It was true that Hellman shaded the truth more than just a little, especially where her own support for Soviet Russia was concerned; it was true that she also had a distinct tendency to ignore her own failings and excesses even as she zeroed in mercilessly on those of others. All the same, no one can deny a singular fact: unlike a long line of others, she neither crawled nor self-destructed before HUAC. In the process she became among the first to show up the committee for the lawless, headline-hungry entity it had become.

As more than one biographer has noted, Hellman actually behaved with the courage and dignity we hope we would possess if confronted with a similar situation. It cost her a great deal: blacklisted and unable to work, Hellman would spend more than a decade counting pennies and struggling to rebuild her life and career. SCOUNDREL TIME, which presents Hellman's confrontation with HUAC from her own clearly biased view, is a fascinating portrait of both the "red scare" and the various figures who swirled through it--from then-congressman Richard Nixon to director Elia Kazan to writer Clifford Odets--and of how she herself saw her own place in a moment that would come to define mid-20th Century America. Flawed? Shaded? Yes, indeed. But nonetheless involving and revealing for that. Recommended.

GFT, Amazon Reviewer

4 of 5 people found the following review helpful.
'Truth makes you a traitor... in a time of scoundrels'
By Steven Hellerstedt
`Scoundrel Time' is a harrowing, highly personal account of the events surrounding Lillian Hellman's appearance before the House Un-American Activities Committee, HUAC, in 1952. It was, to put it mildly, a tricky situation. Although Hellman did not `cut my conscience to fit this year's fashions,' the damage to her life and career were extensive. Even though she was not a friendly witness the Committee didn't cite her for contempt. That did nothing to save her from being blacklisted, however. Beyond a revealing look at a life disrupted by a government that felt, as Garry Wills puts it in his extended introduction, `Hollywood must be censored politically if nation was to be protected ideologically,' Hellman details the post-hearing shake-out. Without a chance to work at home, and with work abroad hindered by an ever-suspicious government, Hellman would eventually lose her home, a number of fair-weather friends, while we all lost a decade's worth of plays and screenplays.

It's helpful to read Wills' introduction prior to Hellman's book. Wills writes that Hellman's scheduled appearance before the Committee `was especially dangerous because Miss Hellman was as little qualified to understand the Committee as it was to grasp her code of honor.' Wills supplies the context while Hellman concentrates on the emotions of someone undergoing a witch hunters' scrutiny. Wills rightly discerns an inability on Hellman's part to understand that Richard Nixon, Joe McCarthy, and others of their ilk were sincere Cold Warriors. All things considered Hellman displays a rather surprising dearth of rancor towards her persecutors, but she doesn't hide the fact that she considers them unscrupulous opportunists.

`Scoundrel Time' was published in 1976, shortly after the resignation of one of Hellman's persecutors, Richard Nixon. To paraphrase Jimmy Breslin, the good guys finally won and it must have given an odd sense of satisfaction to those who lives were disrupted by his rise to power. Hellman is a flawed and vulnerable character in this memoir, and all the more human for it.

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Jumat, 27 Juni 2014

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Barakamon, Vol. 1From Yen Press

First things first.........Visitors are supposed to come in through the front door!!
For a certain reason, a handsome, young calligrapher by the name of Seishuu Handa uproots himself and moves to an island on the westernmost edge of Japan. "Sensei," as he comes to be known, is a city boy through and through, and has never experienced rural life until now. And by the looks of it, he has much to learn! Luckily(?), he has a willing teacher in Naru, the energetic expert islander, to help show him the ropes. But can Sensei keep up with the plucky first-grader, or will he get schooled?! Here unfolds a heartfelt island comedy about a gruff on the outside, soft on the inside urbanite teacher and his new, unfailingly kind island neighbors!

  • Sales Rank: #186631 in Books
  • Published on: 2014-10-28
  • Released on: 2014-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.75" l, .0 pounds
  • Binding: Paperback
  • 208 pages

About the Author
Satsuki Yoshino is a Japanese manga artist who is best known for the manga series Barakamon.

Most helpful customer reviews

9 of 9 people found the following review helpful.
More Barakamon is the best Barakamon!
By Sebastian Wintsch
The likelihood is that you're looking into purchasing this manga because you enjoyed the summer 2014 anime adaptation.

Well if you liked the anime, chances are you'll like this just as much. All the characters are enjoyable, and the humor is great as well. Along with that, quite a bit of stuff was cut out of the anime release, so you'll still be getting plenty of new material.

While I can't judge the whole manga series based on the first volume, as of yet I do feel that the anime surpasses the manga ever-so-slightly (an 8.5 for the anime, in comparison to my current score of an 8 for the manga), but that doesn't stop me from wholeheartedly recommending it. If you want more Barakamon, that's exactly what this is. My few flaws were that the art could look a bit awkward at times (with the proportions sometimes looking 'off'), and a couple things that I found to be touching or heartwarming in the anime felt downplayed in the manga.

That said, this is one volume I'm happy to have on my shelf, and I'll certainly be picking up future releases. I highly recommend getting it!

2 of 2 people found the following review helpful.
I really liked how the dialect was written and how they kept ...
By laura
When I ordered this volume I was a bit worried by how well done the translation would be for this series. And I must say I was pleasantly surprised. I really liked how the dialect was written and how they kept the Japanese characters and just had the translation in small text underneath it in certain panels. The art is a bit rough in the first volume compared to the rest of the series and was a bit awkward to look at at times. I'm looking forward to owning the other volumes when they come out.

If you're looking for a nice feel good manga I'd recommend picking this up!

0 of 0 people found the following review helpful.
"Did you even attempt to scale the wall of mediocrity?"
By Xyon McKell
Seishuu Handa is 23 years old and already a master calligrapher, but his achievements and awards fail to impress a gallery director who calls his work contrived and dull. Getting caught up in the insult to his pride, he punches the director and is sent by his father to an isolated island village to "cool his head" and "overcome his flaws as a human being." Peace and quiet isn't in the forecast though, as the house he's renting has been claimed by the rambunctious six-year old Naru as a base for her and her friends.

Barakamon has a number of unusual elements that give it a nice twist on the "city slicker comes to the country" cliche at its core. The calligraphy aspect is unique and well integrated into both the main character's personality and the plot of the manga. The culture clash isn't too overdone and Naru and the villagers are quirky and endearing (for the most part). The humor has a subtle feel and generally works. There's also nice underlying themes of what success really means and the value of creativity and individuality.

There a couple of small drawbacks here worth mentioning though. The pace feels a bit frantic for some reason to me. It never really achieved that laid back feel the best slice-of-life stories have. It could be stemming from the main characters' "auras." Seishuu's low-self esteem makes him sensitive and gruff to the point of unlikeability sometimes. I understand characters need flaws, it's an important part of the premise, and he always apologizes, but the way it's done made him a little off-putting as a point of view character. Connected to this is Naru's constant presence despite being told to leave his home. Again, I understand someone needs to break him out of his shell and that Naru is cheerful, amusing and innocent-natured in her intrusions, but the approach makes her annoying at times. To be clear they're fine main characters overall and I did enjoy the manga. The disconnect here is likely growing pains as Yoshino finds his characters' voices as well as the effect of the unavoidable comparisons of Haru to Yotsuba, which is an incredibly high measuring stick.

Barakamon is a fairly original slice-of-life manga highly reminiscent of, if not yet quite reaching the heights of, great works such as Yotsuba&! and Bunny Drop. I'm definitely interested in reading more and seeing if the potential here can be fully realized.

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Rabu, 25 Juni 2014

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Umineko WHEN THEY CRY Episode 6: Dawn of the Golden Witch, Vol. 1 - manga, by Ryukishi07

Battler assumes control of the sixth game, wielding his new golden truth as he parries the logical blows of the detective-and-witch, Erika Furudo. For Battler, what began as a contest over the existence of magic has become a fight to revive the fiery, vibrant Beatrice of his early clashes on the game board. The logical loops and rules of the game were already complex, but now as the game master, Battler must quickly learn how to shape the events to his and Beatrice's ultimate ends without getting locked in a closed room by Erika, the Witch of Truth!

  • Sales Rank: #403520 in Books
  • Published on: 2016-05-24
  • Released on: 2016-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.63" w x 5.75" l, .0 pounds
  • Binding: Paperback
  • 516 pages

About the Author
Ryukishi07 leapt into the spotlight with HIGURASHI NO NAKU KORO NI which was originally conceived as a series of visual novels and later adapted into the popular manga and anime franchise.

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0 of 0 people found the following review helpful.
Four Stars
By Necro
A GREAT story. Arrive on time but the front and back cover were lightly damage.

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A fun, rainbow-themed reusable sticker book full of activities, based on the hit TV show, My Little Pony: Friendship is Magic! Rainbow-fy the ponies and their outfits with your stickers, solve puzzles, and more! Includes 4 pages of reusable stickers!

  • Sales Rank: #629389 in Books
  • Published on: 2014-09-02
  • Released on: 2014-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .13" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 12 pages

About the Author
Celeste Sisler lives in Brooklyn with her partner and two gray cats, Pudding and Kentucky. An animal enthusiast, she identifies most with Fluttershy, but adores Pinkie Pie!

Most helpful customer reviews

5 of 5 people found the following review helpful.
Not worth it.
By Amazon Customer
It is eleven pages (plus a few sheets of stickers); definitely not worth the cost. Many of the stickers are small and basic (hearts, stars, balloons). Very disappointing for my MLP fan.

4 of 4 people found the following review helpful.
Two Stars
By Christina Lee
The book is ok except not worth the price of 5.94. Only 12 pages, very thin book.

3 of 3 people found the following review helpful.
it was fun for the 15 minutes i did all the activities ...
By Jasmine Crowe
it was fun for the 15 minutes i did all the activities in the book, i love MLP but that was a little less fun than i was expecting, needed more avctivities, an more stickers.

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** Free PDF My Little Pony: The Rainbow Power Sticker Book (My Little Pony (Little, Brown & Company)), by Celeste Sisler Doc

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** Free PDF My Little Pony: The Rainbow Power Sticker Book (My Little Pony (Little, Brown & Company)), by Celeste Sisler Doc
** Free PDF My Little Pony: The Rainbow Power Sticker Book (My Little Pony (Little, Brown & Company)), by Celeste Sisler Doc