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No Matter How I Look at It, It's You Guys' Fault I'm Not Popular!, Vol. 4From Yen Press
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As the second term of high school winds down, Tomoko Kuroki's life continues to be full of awesome...nothing. But ever the optimist, she pins her hopes on the possibilities that winter break will bring. Unfortunately, there's a cold breeze blowing in more ways than one, and Tomoko's in for a disappointment. Is she doomed to spend her theoretically monumental first year as an HSG without any friends at all?!
- Sales Rank: #361693 in Books
- Published on: 2014-07-22
- Released on: 2014-07-22
- Original language: English
- Number of items: 1
- Dimensions: 7.68" h x .50" w x 5.13" l, .0 pounds
- Binding: Paperback
- 144 pages
About the Author
A team of two manga artists, Nico Tanigawa is the creator of a number of school-life comedies, including No Matter How I Look At It, It's You Guys' Fault I'm Not Popular!
Most helpful customer reviews
3 of 3 people found the following review helpful.
Another great read BUT...
By Gabe Logan
Tomoko's antics on this volume live up to the rest of the manga already released.
Winter break sure did a number on her and her relationship with her mother and brother, but that's to be expected from Tomoko and the manga in general.
With that said, I'm a little disappointed with Yen Press with this release. The reason why I'm giving this a 4 star review is because of a few errors with the actual quality of the book.
There's a printing error on page 21, Tomoko's name isn't aligned with her uniform tag and overlaps with the cake (minor error, but noticeable).
Another error I've found with my copy was a blank page on the bonus chapter at the end of the book (the Omake). Right after the afterword with the authors, a two page chapter begins, however, only the second page is shown, which might confuse people who haven't already read the fan-made translations since there's no context to follow on what's going on.
Just a heads up to anyone who have yet to buy their copy of this volume.
1 of 1 people found the following review helpful.
Cringe comedy with a heroine unable to cope with real life
By Johanna Draper Carlson
Normally I hate comedy based on “look how pathetic this person is”, but somehow, I’m still rooting for Tomoko, even when she’s doing the stupidest things possible. I think it’s because there’s a fondness in her portrayal that allow me to focus on similarities without cringing from the discomfort.
As No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular! Book 4 opens, Tomoko has forgotten how to talk to other people, particularly boys. To improve her social skills, she decides to become a club hostess — which is like deciding, since you can’t get a basketball through the hoop, to join the WNBA. It’s the exaggeration that makes this so funny instead of painful. Of course, as soon as she seizes on this idea (based on a TV interview), she envisions herself as the best hostess ever.
I’m impressed by the non-verbal humor segments that work so well. As part of her self-imposed hostess training, Tomoko is working on lighting cigarettes and preparing drinks. She still thinks of life as a video game, working on speed instead of human interaction and trying to figure out tasks to complete to mark progress. In spite of how out of her league she is, she’s still keeping a positive outlook, as though she just needs to find the next new trick to make things all better. I think it’s that optimism and the resulting enthusiasm that makes her such an interesting read to me.
Also, it’s rare to me to see a teen character who’s shown as so honestly sex-crazy while having absolutely no idea what to do about it. She has bizarre fantasies, but I think that’s a realistic part of having adolescent hormones.
Much of this volume revolves around end-of-year activities, from a school marathon (where Tomoko is handicapped by badly having to go to the bathroom) to not knowing what to do with her winter break holiday — although Mom has ideas about cleaning — to a Christmas party with school friends. The last chapter ends on a high note, as Tomoko marks her sixteenth birthday by pretentiously engaging in what she thinks of as adult activities, which include drinking black coffee at a cafe and appreciating the depth and fascination of mature literature, without pictures. Again, she’s marking life by ultimately pointless details, but those elements give her hooks to start understanding the bigger picture. (Review originally posted at ComicsWorthReading.com.)
1 of 1 people found the following review helpful.
The further adventures of the Queen of Self-Sabotage
By Baron Hausenpheffer
The fourth volume of "No Matter How I Look At It..." comes in as strong as the previous three as we see Tomoko Kuroki's hare-brained popularity schemes freeze over yet again. This series seems to take Tomoko's life one season of the year at a time, and this is the winter of her discontent. I'm not going to give away any plot points, but let's just say she keeps leveraging her "strengths" in all the wrong places.
Besides the change of season, I also feel like each new volume of "Now Matter How I Look At It..." captures a sort of "theme" in Tomoko's life. The first volume was delusion, the second was isolation, the third was frustration(?), and this fourth volume seems especially good at pointing out how Tomoko is fundamentally kind of a rotten person (haha). Take her New Year's prayer, for example:
"Okay, shrine god, if you're at all competent, then please try making me happy... If you can't do that, please at least make everyone else relatively unhappy. If you can't even manage that, fine... but forget about my respect."
Her poor brother also reaps more than his usual share of her shenanigans, but at the same time, this volume is also good at showing how Tomoko is better and kinder than the sum of her social disorders and personality flaws. She wants to do right by the people she cares about, even if she keeps screwing things up. Maybe even better, this volume's stories also demonstrate that even this lowliest of losers does have a small circle who are each rooting for her in their own way. Tomoko's chances at popularity seem as slim as ever, but it gives you hope that she just might get out of high school in one piece... despite her best efforts to the contrary.
In terms of the quality of the story-telling, I remain super-impressed with the quality of this series as a whole. The reviews of the first couple of volumes do a great job of covering why this is such an alternately hilarious and heartbreaking tale of social anxiety, so I won't repeat that praise here - just endorse it. No matter how I look at it, this is easily my favorite new manga series, and highly recommended reading.
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