Free PDF The Blue Lotus (The Adventures of Tintin), by Hergé
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The Blue Lotus (The Adventures of Tintin), by Hergé
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The classic graphic novel. A sequel to Cigars of the Pharaoh, Tintin follows a mysterious lead to China on the trail of a smuggling ring. Will Tintin find the criminal mastermind?
- Sales Rank: #42951 in Books
- Brand: Herge
- Published on: 1984-07-30
- Original language: English
- Number of items: 1
- Dimensions: 11.63" h x .25" w x 8.75" l, .55 pounds
- Binding: Paperback
- 62 pages
Amazon.com Review
Picking up where he left off in the Egyptian adventure Cigars of the Pharaoh, Tintin travels to China in The Blue Lotus, a tale which is generally considered Herge's first masterpiece. It's also Tintin's only foray into actual history, specifically the Sino-Japanese conflicts of the early 1930s. The political tensions combined with the chilling threats of drugs give the story an especially high and realistic sense of danger. Herge's interest in China was spurred by a friendship with a young Chinese student named Chang Chong-chen, a relationship that Tintin mirrors with a Chinese boy also named Chang Chong-chen. Herge paints a vivid picture of China and takes the opportunity to denounce ethnic prejudices (though ironically his artistic depiction of the Japanese businessman Mitsuhirato is quite grotesque). Years later, Tintin's relationship with Chang would become the basis of Tintin in Tibet. --David Horiuchi
Review
The Adventures of Tintin (also known as The Adventures of Tintin: The Secret of the Unicorn[4] in the United Kingdom) is a 2011 American performance capture 3D film based on The Adventures of Tintin, a series of comic books created by Belgian artist Hergé (Georges Remi). Directed by Steven Spielberg, produced by Peter Jackson, and written by Steven Moffat, Edgar Wright and Joe Cornish, the film is based on three of the original comic books: The Crab with the Golden Claws (1941), The Secret of the Unicorn (1943), and Red Rackham's Treasure (1944).[5]
Spielberg first acquired rights to produce a film based upon the Adventures of Tintin series following Hergé's death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008 for a 2010 release, but release was delayed to 2011 after Universal opted out of producing the film with Paramount, who provided $30 million on pre-production. Sony chose to co-produce the films. The delay resulted in Thomas Sangster, who had been cast as Tintin, departing from the project. Producer Peter Jackson, whose company Weta Digital is providing the computer animation, intends to direct a sequel. Spielberg and Jackson also hope to co-direct a third film.[6] --Wikipedia
Language Notes
Text: English, French (translation)
Most helpful customer reviews
29 of 29 people found the following review helpful.
I want to be buried with this book.
By darragh o'donoghue
Those delightful boobies, Thomson and Thompson, reappear in this sequel to 'Cigars Of The Pharoah', at one point ostentatiously disguising themselves in 'Mikado'-like finery to blend in with the Chinese locals, as they attempt to surreptitiously capture Tintin, only gathering an amused crowd in their wake.
For many Tintinophiles, 'The Blue Lotus' is the most precious of all Herge's masterpieces; certainly, in the event of a fire, after my dogs, and maybe my wife, my long-battered copy would be the first thing I would rescue. From its famous front cover - a giant, twisting black Chinese dragon on a rich red background, facing Tintin and Snowy as they hide in blue vase patterned with a bird and flowers, the images lit by a pale green lantern - every frame is a detailed artwork in itself. Set largely in Japan and European-occupied Shanghai in the early 1930s, every frame painstakingly evokes the Oriental setting: every wall-covering, item of clothing, ornament, building, street, poster, vehicle. Some of the landscapes and silhouettes are etched with the complex simplicity of a wood-cut by Hokusai, Hiroshige or Taige. The eye-dazzling colour is complemented by a much higher proportion of night scenes than previous Tintins. The deep, sombre colours give the story a melancholy (as do the peeling walls found everywhere behind the prettily picturesque Orientalist scenes). This sadness is matched by the plot's events, not just the violent expansionist plans of Japanese fascists or the culpability of European colonialists, but a world where brave sons turn mad, and orphans nearly drown by sheer chance. Herge's storytelling has also matured significantly since his early efforts: his pacing and variations of tone, his crosscutting and fragmenting of narrative, his sustaining mystery - all come together with superb mastery.
And for the first time, because the fictional world created is so believable and historically rooted, Tintin takes on the contours of a genuine hero, much more than a mad marionette endlessly dodging melodramatic villains. His genuine nobility, loyalty and courage, his touching friendship with the orphan Chang, all bespeak fading values in a world crashing towards totalitarianism. A beautiful, urgent book.
12 of 12 people found the following review helpful.
Herge's masterpiece!
By Giant Panda
This is probably the most exciting and the most interesting of all the 25 Tintin adventures. Considering it was written early in Herge's career (c. 1930s), the level of proficiency and artwork is extraordinary. In this adventure, really the continuation of "Cigars of the Pharaoh" but able to stand on its own, Tintin travels to China to root out an international drug-smuggling gang. During his stay in China, Tintin gets enmeshed in the politics of the time, when the Japanese were secretly creating pretexts for extending their occupation of China. At a time when the European powers were practicing appeasement towards Japan, this adventure is a daring stance in solidarity with the underdog - here being the Chinese. Much of the day-to-day events of the time are interwoven seamlessly with the action of this adventure comic. Neither is the opium trade (the centerpiece of this story) that the colonial powers pushed on China far removed from reality.
What is perhaps the most amazing thing about this creation is that Herge never traveled to China, not before nor after this story (though he did go to Hong Kong much later in his life). For information about China, he relied on magazine photos and articles, and on the information provided by a friend and roommate Chang Chong Ching, who played the role model for the Chang Tintin befriends in the story (and whom we encounter later in Tintin in Tibet). Chang is the one who wrote the myriad excellent specimens of Chinese calligraphy ornamenting the book. All the Chinese signs in the adventure are meaningful inscriptions, from simple restaurant signs "Foods" and advertisements for international companies "Siemens" to anti-imperialist and anti-Japanese slogans grafittied on the walls. These signs paint a realistic portrait of the Chinese environment at the time. All my Chinese friends who have read this adventure swear that the depictions of China are realistic and cannot believe that Herge never visited that country!
This comic story has all the components for a great piece of art/literature. The artwork is masterful, the settings and scenery realistic, the plot and action entertaining and suspenseful, and the characters well-developed and possess considerable depth. In addition, while the ending is happy, the story is not free from life's tragic moments that bring tears to the eyes. A definite must-read for all Tintin lovers, as well as for those wishing to learn something about China and its recent history.
9 of 9 people found the following review helpful.
Beware the format and edition
By F.Pabzcacs
The Paperback format (62 pages)-1984 edition from the Publisher: Little, Brown Books for Young Readers, with FULL COLOR illustrations is the newer version from the original story drawn and published by Hergé in the 30's.
The Hardcover Format (126 pages) - 2006 edition by the publisher Casterman Editions, has B&W illustrations, corresponds with the original comic, this album is an edition adapted from the original and is more for Herge's fans, who want to know his original artwork, in this album the vignettes are bigger, the drawings not so elaborated, but is not completely the original because some parts were edited.
You can find the newer (Color) version in hardcover, be sure that the cover is all red and with fewer pages.
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