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Perhaps the most beloved of John Fowles's internationally bestselling works, The French Lieutenant's Woman is a feat of seductive storytelling that effectively invents anew the Victorian novel. "Filled with enchanting mysteries and magically erotic possibilities" (New York Times), the novel inspired the hugely successful 1981 film starring Meryl Streep and Jeremy Irons and is today universally regarded as a modern classic.
- Sales Rank: #36727 in Books
- Published on: 1998-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.33" w x 5.50" l, .98 pounds
- Binding: Paperback
- 467 pages
Review
Novel by John Fowles, published in 1969. A pastiche of a historical romance, it juxtaposes the ethos of the Victorian characters living in 1867 with the ironic commentary of the author writing in 1967. The plot centers on Charles Smithson, an amateur Victorian paleontologist. He is engaged to Ernestina Freeman, a conventional, wealthy woman, but he breaks off the engagement after a series of clandestine trysts with the beautiful, mysterious Sarah Woodruff, a social outcast known locally as the forsaken lover of a French lieutenant. The author, who continually intrudes on the narration, presents three different endings, encouraging his readers to reach their own conclusions. -- The Merriam-Webster Encyclopedia of Literature
About the Author
John Fowles (1926-2005) was educated at Oxford and subsequently lectured in English at universities in Greece and the UK. The success of his first novel, The Collector, published in 1963, allowed him to devote all his time to writing. His books include the internationally acclaimed and bestselling novels The Magus, The French Lieutenant's Woman, and Daniel Martin. Fowles spent the last decades of his life on the southern coast of England in the small harbor town of Lyme Regis.
From AudioFile
In this contemporary, Victorian-style novel Charles Smithson, a nineteenth-century gentleman with glimmerings of twentieth-century perceptions, falls in love with enigmatic Sarah Woodruff, who has been jilted by a French lover. Paul Shelley's subtle presentation does full justice to Fowles' artful, mysterious tale, whether he's reading an exposition on Darwinian theory or narration of romantic assignations and broken promises. Never once does he lose the listener as the author moves between the past and present, commenting on Victorian customs, politics and morays. And never once does he give away the novel's surprise ending. Enthusiastically recommended. R.B.F. An AUDIOFILE Earphones Award winner (c)AudioFile, Portland, Maine
Most helpful customer reviews
49 of 51 people found the following review helpful.
A true masterpiece
By Matthew Krichman
In the first hundred pages of this book I had already begun to realize that this was one of the best books I have ever read. That feeling never let up; indeed, it grew even stronger as I approached the end, when I began to feel a frantic eagerness to discover what would become of these characters that I had grown to care so much for.
Sarah Woodruff (aka the French Lieutenant's Woman) is one of my favorite characters in literature. She is a complex, nuanced character, intriguingly covered by a delicate veil of mystery throughout the first half of the book. Her pain, her selfless sacrifice, and her courage are deeply and powerfully drawn. She is a true example of a woman ahead of her time, a woman who challenges the norms of her society by simply ignoring them. Her confidence and her quiet scorn for the Puritanism of the times in which she lives raise her to a level above the so-called moral leaders who condemn her. In a strange way, she is a true hero.
This book, written in the late 1960s but set one hundred years earlier, is a beautiful example of period literature. Fowles, through his remarkably genuine narrative voice, recreates the world of Victorian England in such a way that if it weren't for the occasional references to modern life you might think the book was a century older than it is. It is filled with all the pomp and formality you would expect, but also with a wit, dry humor, and quiet mocking of the period that lend it an added flavor.
But Fowles is not simply trying to create a period piece or social commentary. I believe that first and foremost he was creating a love story. I would put Charles and Sarah in the same category with Romeo and Juliet as far as love stories go. The relationship is developed slowly, so slow that it is exquisitely painful almost. And though the time they spend together is brief, it is filled with an unmistakable air of eventual tragedy.
The only question left in my mind is whether to categorize this book as a classic of modern fiction or of 19th century fiction. It could easily stand in either section of my bookshelf.
111 of 122 people found the following review helpful.
Living in the Moment
By Giuseppe C.
This novel is at once a retrospective and a prospective, a narrative that ultimately erases the temporal boundaries between the Victorian era and the modern reader's present moment. Fowles goes considerably beyond a novelist such as A. S. Byatt and even most historians in painting the portrait of an era and its citizens as well as evoking the multifarious "Victorian sensibility," with its ambivalence about social class, morality, progress, science, religion, and, of course, sex.
The affair between Charles Smithson, amateur gentleman paleontologist, and Sarah Woodruff, alluring, forbidden "outcast," is, in many respects, no more than a ruse (readers who express disappointment at the ending have no doubt swallowed too much of the bait, reading the novel as conventional romance). The epigraph to the final chapter, Matthew Arnold's "True Piety Is Acting What One Knows," can be taken as a key to the story's compelling theme and purpose. The narrative is a variation on the quest pattern, with the salvation of the story's everyman-protagonist at stake. Moreover, his progress from ignorance to self-knowledge, contrary to Marxist theory and, for that matter, inexorable Darwinian laws of natural selection, requires that he separate himself from his "age," the very culture that has formed him, defined him, and threatens to deform him.
The climax in the story is not Charles' meeting with Sarah in the home of the Rossetti's but his epiphany, in Chapter 48, while viewing a Crucifix in the sanctuary of a church. At this moment he sees his preoccupation with fossils as representative of his society's fixation on custom, externals, and respectability at the expense of the interior self and its own priorities. Charles and Sarah find their heart's bliss "through" but certainly not "with" each other.
I read this novel at the same time I was reading "The English Patient," Michael Ondaatje's poetic novel that challenges spatial boundaries much as Fowles' narrative does the same with temporal ones. Ondaatje takes fewer chances, constructing a fantastic, impressionistic narrative that makes very few mistakes and admittedly casts a lingering spell. Fowles', on the other hand, risks a lot, especially with his frequent, self-referential intrusions into the narrative--potentially alienating some readers, whether on grounds that he's violated the implict author-reader contract or that he's naively "postmodernist." Regardless, Fowles' novel is the richer, greater achievement, and ultimately the less contrived and pretentious as well.
"The French Lieutenant's Woman" is capable of satisfying at many levels. It offers a comprehensive history of the Victorian era, a Dickensian gallery of characters, an dramatization of the faith-doubt struggle found in the poetry of Tennyson and Arnold, a critique of Victorian and modern cultural malaise, a postmodernist literary conceit, an archetypal journey with an existentialist twist. Above all, the attentive reader of this allusive, multi-layered, yet remarkably focused story will be rewarded with a unique understanding of narrative and the reader's place within it. The narrator's offering the reader a choice between two endings has the effect of "liberating" the narrative and relating it to the examined life of the reader's own present.
It's difficult to see how a triumph such as this could be excluded from any short list of greatest novels written in English during the second half of the twentieth century.
0 of 0 people found the following review helpful.
Bold and beautiful writing from a 'Writer's Writer'
By T. Kaye
One of my all-time, Top 3 Books, along with 'Zen & the Art of Motorcycle Maintenance' and 'Lord of Light.' The common thread of these is deep & subtle ideas rendered in taut, beautiful language. Caveat: not for casual readers seeking a-thrill-a-minute. Be prepared to stretch your mind.
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