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The Little Red Chairs, by Edna O'Brien
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A fiercely beautiful novel about one woman's struggle to reclaim a life shattered by betrayal, from one of the greatest storytellers of our time
One night, in the dead of winter, a mysterious stranger arrives in the small Irish town of Cloonoila. Broodingly handsome, worldly, and charismatic, Dr. Vladimir Dragan is a poet, a self-proclaimed holistic healer, and a welcome disruption to the monotony of village life. Before long, the beautiful black-haired Fidelma McBride falls under his spell and, defying the shackles of wedlock and convention, turns to him to cure her of her deepest pains.
Then, one morning, the illusion is abruptly shattered. While en route to pay tribute at Yeats's grave, Dr. Vlad is arrested and revealed to be a notorious war criminal and mass murderer. The Cloonoila community is devastated by this revelation, and no one more than Fidelma, who is made to pay for her deviance and desire. In disgrace and utterly alone, she embarks on a journey that will bring both profound hardship and, ultimately, the prospect of redemption.
Moving from Ireland to London and then to The Hague, THE LITTLE RED CHAIRS is Edna O'Brien's first novel in ten years -- a vivid and unflinching exploration of humanity's capacity for evil and artifice as well as the bravest kind of love.
- Sales Rank: #17387 in Books
- Published on: 2016-03-29
- Released on: 2016-03-29
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.00" w x 6.50" l, .0 pounds
- Binding: Hardcover
- 320 pages
Review
"A remarkable novel.... Extraordinary and unsettling."―James Wood, New Yorker
"[An] extraordinary articulation of the lingering effects of trauma.... In the end, what leaves one in humbled awe of The Little Red Chairs is O'Brien's dexterity, her ability to shift without warning - like life - from romance to horror, from hamlet to hell, from war crimes tribunal to midsummer night's dream. And through it all, she embeds the most perplexing moral challenge ever conceived.... At a time when our best writers are such delightfully showy stylists, O'Brien...practices a darker, more subtle magic. Surprise and transformation lurk in even the smallest details, the most ordinary moments."―Ron Charles, Washington Post
"Boldly imagined and harrowing.... Here, in addition to O'Brien's celebrated gifts of lyricism and mimetic precision, is a new, unsettling fabulist vision that suggests Kafka more than Joyce.... A work of meditation and penance."―Joyce Carol Oates, New York Times Book Review, "Editors' Choice"
"O'Brien achieves a tone at once mythical and contemporary, archetypal and particularized, and does wonderful things with voice and tense.... The Little Red Chairs has much to recommend it: beautiful writing, immense ambition, a vivid cast of supporting characters, and a rigorous humanitarian ethos."―Priscilla Gilman, Boston Globe
"The great Edna O'Brien has written her masterpiece."―Philip Roth
"One of [O'Brien's] best and most ambitious novels yet. The Little Red Chairs is personal and political; charming and grotesque; a novel of manners and a novel of monsters.... O'Brien's undiminished gifts as a storyteller draw us in and then awaken us to the limits of our own blinkered vision, the fragility of our own safe havens."―Maureen Corrigan, NPR
"The Little Red Chairs is a daring invention set at the bloody crossroads where worlds collide: savage, tender and true."―John Banville
"Edna O'Brien is both brilliant and brave. This book astonished me."―Ann Patchett
"Reading The Little Red Chairs reaffirms a belief I've held since I first read Ms. O'Brien's work: She is, quite simply, a master."―Kevin Powers
"Edna O'Brien's The Little Red Chairs is a gem of a novel, a text to treasure."―Nuruddin Farah
"A memorable work of art for our unsettled times.... [O'Brien's] prose is as lyrically arresting as ever, her vision as astute, and as delicate. The Little Red Chairs is notable for its interweaving of the near-mythical and the urgent present, and for its unflinching exploration of the complex and lasting effects of human brutality.... At once arduous and beautiful, The Little Red Chairs marries myth and fact in a new form that journeys, as we do now, from Cloonoila to The Hague, from fairytale to contemporary agon."―Claire Messud, Financial Times
"Provocative, moving, masterly.... O'Brien has a way of hypnotizing the reader."―Fiona Wilson, Times (UK)
"A spectacular piece of work, massive and ferocious and far-reaching.... Holding you in its clutches from first page to last, it dares to address some of the darkest moral questions of our times while never once losing sight of the sliver of humanity at their core.... It's impossible not to be knocked out by the sly perfection of O'Brien's prose."―Julie Myerson, Guardian, "Best Books of 2015"
"O'Brien's writing in this rich, wrenching book can be both lyrical and hard-edged, which suits a world where pain shared or a tincture of kindness can help ease the passage from losses."―Kirkus Reviews (starred review)
"O'Brien retains every element of her gorgeous writing [in] her new novel.... Dark fairy-tale threads give the story a magic-realism effect, but ultimately...the author's twenty fourth book is starkly realistic. O'Brien speaks to contemporary political violence in a suitably audible voice."―Brad Hooper, Booklist (starred review)
"Slyly terrifying."―Vogue
"Intoxicating.... O'Brien takes up her signature themes--close-knit communities, love and hate for the homeland, the plight of women, loss and desire, victimhood, romantic love--and casts their compassionate reach far beyond Ireland.... [The Little Red Chairs] asks the kinds of questions only a novel could dare; like a great novel must, it leaves many of them unanswered."
―Kseniya Melnik, O Magazine
"A tour de force on the atrocities we humans commit and fall prey to, as well as an exploration of suffering and the curative power of story."―Natalie Serber, San Francisco Chronicle
"Brilliant"―Kate Mulgrew
"Powerful.... With her inimitable storytelling genius, O'Brien explores the nature of evil."
―Jane Ciabattari, BBC
"This 18th novel from O'Brien delivers noble truths as well as atrocities.... [Her] mastery of symbolism and natural description remain unmatched in modern fiction."
―John G. Matthews, Library Journal (starred review)
"[This] may be the fiercest work of [O'Brien's] estimable career."―Robert Weibezahl, BookPage
"O'Brien captures an extraordinary and almost holy innerness in each of her characters, however minor, and then plants those characters amidst the terrible velocity, the terrible pull of world events. O'Brien is truly at her best when she describes the private corners of minds, those quiet and wild corners, our meditative and our inspired selves, the self that Virginia Woolf called 'a wedge-shaped core of darkness, something invisible to others.'"―Annalisa Quinn, NPR
"One of those cases where the tidal wave of hype is justified.... A book you are a bit better for having read, and how many novels can you say that about anymore?"―Alex Balk, Awl
"A tense page turner and a timely one."―Billy Heller, New York Post
"A capacious novel full of exquisitely rendered miniatures.... O'Brien has long been recognized as a gifted short story writer and here she employs her gift for closely observed moments in the service of a novel that is deeply intimate but global in its vision."―Tom Beer, Newsday
"O'Brien is a masterful stylist, and her descriptions of the natural world, especially the countryside around Cloonoila, are striking in their precision and beauty."―Norah Piehl, Bookreporter
"Engrossing, beautifully written, and offers the reader much to think about.... O'Brien is a superb storyteller."―Corinna Lothar, Washington Times
"O'Brien has done more than many governments by giving voice to the dispossessed in this novel of remembrance."―Susan Balee, Pittsburgh Post-Gazette
"Unashamedly rich and thrilling to read.... It's breathtaking, a fusion of joy, loss and brutality."―Ron Rosenbaum, Smithsonian Magazine
"A brilliant pastiche of voices, tenses, perspectives."―Catherine Holmes, Post and Courier
"It's hard to believe that an 85-year-old can still write books big in size and scope with such vitality, grace and precision, but that's exactly what O'Brien does..... [She] has created characters so multifaceted and vivid that they don't become stereotypical as this masterwork evolves from love story into engaging political novel about real-world tyrants."―Joseph Peschel, Raleigh News and Observer
About the Author
Edna O'Brien is the author of The Country Girls trilogy, The Light of Evening, The Love Object, and many other acclaimed books. Born and raised in the west of Ireland, O'Brien has lived in London for many years.
Most helpful customer reviews
48 of 51 people found the following review helpful.
A fine novel but not a flawless one
By Sid Nuncius
Edna O'Brien remains a very fine writer. This book has many excellent things about it, but as a whole novel I do have my reservations about it.
Beginning in a small, isolated Irish town, a charismatic mystic and healer arrives and mesmerises the people there with his spirituality and depth. We find out quite soon, though, that he is a wanted war criminal who has committed the most appalling atrocities in the Balkans. To say that he is a thinly disguised Radovan Karadzic would be to exaggerate the extent of the disguise, but by making him a fictional character in a community that she understands intimately, O'Brien can explore his character and the consequences of his actions through fictional events and she paints a brilliant, disturbing portrait of an egocentric, self-deluding psychopath.
She does this very well much of the time. Her wonderful ability to conjure place and convincing characters remains undiminished, and her perceptiveness about the people she writes about is remarkable. In the second half the narrative moves with the main character to refugee communities in London and to The Hague, becoming a book about the consequences of violence and prejudice and about the people who have been crushed, displaced and made helpless by them. Any violence is largely implied but occasionally graphic. Be warned that there is one truly horrifying scene which will haunt me for a long time, and O'Brien is excellent at portraying the appalling reality and consequences of the crimes she deals with. There is also a vivid reminder that victims may be treated in this way not just in war zones and lawless places, but in settled societies like ours.
We get a lot (and I mean a lot) of different people telling their stories of oppression, survival and displacement. Each one is very important and movingly told, and each teller very well painted by O'Brien. I did find, though, that as a whole novel it didn't quite hang together at times as the narrative led to yet another round of storytelling by a group of new characters. I don't mean to diminish the importance of these stories one jot, but as a novel it felt rather clunky and contrived at times – including the early scene in which we discover the "healer's" past as it is recounted to him in a dream by a dead colleague.
I don't want to be too critical because I did find much of the book very engrossing and memorable. Also, knowing all these stories meant that I was moved almost to tears in the last page or two by the haunted and unhappy protagonist asking The Mothers Of Srebrenica "What brings peace? What brings certainty?"…
"They listened attentively and then one spoke - A bone she said. To find the smallest piece of bone of one of her children…" They also gave immense impact to the final sentence of the book: "You would not believe how many words there are for home and what savage music there can be wrung from them."
This book is wise, important, impassioned and readable and has great emotional impact. I can recommend it warmly in spite of my reservations.
(I received an ARC via Netgalley.)
2 of 2 people found the following review helpful.
A Fascinating, Disturbing Thriller:
By Anne-Marie
This book begins in a small Irish village, rendered in the beautiful, spare prose and intimacy that has made O'Brien a beloved writer. The main character, a woman trapped in a stifling marriage, falls for an enigmatic man who is new to town.This much is very familiar Edna O'Brien terrain. This newcomer is expertly portrayed by O'Brien, and we see the warning signs behind his charisma and sex appeal. The discovery that this man is a war criminal sends the protagonist on a tumultuous journey through immigrant communities, with a long stay in the Hague. It is disturbing and fascinating. There is some graphic violence, but you can see it coming, and I skipped over it and did not read it. Her characters were very vivid, so much so that I found myself missing one kind man named James who comes along as a blessing on a merciless path, but is then left behind, too soon for me.
0 of 0 people found the following review helpful.
A GREAT NOVEL ABOUT THE BLACK MAGIC OF TYRANTS
By Michael Salcman
Philip Roth has called this book Edna O'Brien's "masterpiece" and such praise is well-deserved. Edna O'Brien has produced this startling and beautiful book in her 85th year. Filled with poetic description, it is divided in three parts, each section shorter than its immediate predecessor. The first part takes place in Ireland and concerns the visit of a mysterious "healer" to a small village with many unforeseen consequences. The title of the book refers to a memorial for the civilians who were murdered in a particular conflict; please do NOT first read the preface to the book in which the war's statistics and other important matters are discussed by the author. You should read the notes about O'Brien's research AFTER you have finished the novel. This information will only serve to spoil one of several major surprises and it will reduce rather than heighten your enjoyment of the mysterious atmosphere so nimbly created in Part I, an apprehension that I can only liken to Bram Stoker's Dracula. O'Brien is best known for her short stories and each of the chapters in the novel reads like an almost self-contained story exploring the thoughts and feelings of individual characters. A few of the chapters are told in the first person rather than from the narrator's point of view and each chapter is given its own quite meaningful title. In Part II, the heroine from the Irish section is driven to England where a number of multicultural adventures occur. O'Brien handles the many disparate voices of a modern society with aplomb. The concluding section of the novel is the briefest and most dramatic and features a remarkable confrontation between the two major characters. I can't even tell you what city Part III takes place in without giving important information away and spoiling yet another surprise. In addition to Dracula the book is redolent with references to many other famous works of literature and poetry. It concludes with O'Brien's own poetic writing taking full flight in the magnificent final page. The Little Red Chairs is certainly one of the best literary novels of the past ten years; it is written with such magical fluency that the time I spent with this book simply sped by. It is quite impossible to put down.
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