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Careless Love is the full, true, and mesmerizing story of Elvis Presley's last two decades, in the long-awaited second volume of Peter Guralnick's masterful two-part biography.
Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, was acclaimed by the New York Times as "a triumph of biographical art." This concluding volume recounts the second half of Elvis' life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time.
Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unravelling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis' relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking revelatory drama that for the first time places the events of a too-often mistold tale in a fresh, believable, and understandable context.
Elvis' changes during these years form a tragic mystery that Careless Love unlocks for the first time. This is the quintessential American story, encompassing elements of race, class, wealth, sex, music, religion, and personal transformation. Written with grace, sensitivity, and passion, Careless Love is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight at last into one of the most misunderstood public figures of our times.
- Sales Rank: #58356 in Books
- Brand: Guralnick, Peter
- Published on: 2000-02-10
- Original language: English
- Number of items: 1
- Dimensions: 9.13" h x 1.38" w x 6.00" l, 2.07 pounds
- Binding: Paperback
- 768 pages
Amazon.com Review
Until Peter Guralnick came out with Last Train to Memphis in 1994, most biographies of Elvis Presley--especially those written by people with varying degrees of access to his "inner circle"--were filled with starstruck adulation, and those that weren't in awe of their subject invariably went out of their way to take potshots at the rock & roll pioneer (with Albert Goldman's 1981 Elvis reaching now-legendary levels of bile and condescension). Guralnick's exploration of Elvis's childhood and rise to fame was notable for its factual rigorousness and its intimate appreciation of Presley's musical agenda.
Picking up where the first volume left off, Guralnick sees Elvis through his tour of duty with the U.S. Army in Germany, where he first met--and was captivated by--a 14-year-old girl named Priscilla Beaulieu. We may think we know the story from this point: the return to America, the near-decade of B-movies, eventual marriage to Priscilla, a brief flash of glory with the '68 comeback, and the surrealism of "fat Elvis" decked out in bejeweled white jumpsuits, culminating in a bathroom death scene. And while that summary isn't exactly false, Guralnick's account shows how little perspective we've had on Elvis's life until now, how a gross caricature of the final years has come to stand for the life itself. He treats every aspect of Presley's life--including forays into spiritual mysticism and the growing dependency on prescription drugs--with dignity and critical distance. More importantly, Careless Love continues to show that Guralnick "gets" what Presley was trying to do as an artist: "I see him in the same way that I think he saw himself from the start," the introduction states, "as someone whose ambition it was to encompass every strand of the American musical tradition." From rock to blues to country to gospel, Guralnick discusses how, at his finest moments, Elvis was able to fulfill that dream. --Ron Hogan
From Publishers Weekly
Opening with the 25-year-old Presley's nervous return to the United States in March 1960, this second volume of Guralnick's definitive and scrupulous biography then circles back to describe the singer's military service in Germany, where he encountered two elements destined to define his post-Army life: prescription drugs and 14-year-old Priscilla Beaulieu. His manager, Colonel Tom Parker, was by now a major factor in Elvis's career, and Guralnick is the first to explain successfully how the Colonel, a one-time carnival huckster, maintained an enduring hold on a man whose genius was beyond his grasp. Presley believed that they were "an unbeatable team," and the Colonel's success in keeping Elvis's popularity alive during the Army stint seemed to prove it. The subsequent results of the Colonel's go-for-the-quick-buck mentality?crummy movies made on the cheap, mediocre soundtracks rather than studio albums?shook Elvis's faith in his manager, but he remained loyal through the inevitable artistic and commercial decline. Guralnick's meticulously documented narrative (which draws on interviews with virtually everyone significant) shows the insecure, fatally undisciplined Elvis to be his own worst enemy, closely seconded by the Colonel and the entourage of hangers-on who feared change and disparaged Presley's tentative efforts to grow, especially his spiritual apprenticeships to his hairstylist, Larry, and to Sri Daya Mata. When Elvis roused himself?for his 1968 television comeback, for the legendary Chips Moman-produced sessions of 1969, for the early Las Vegas shows?he was still the most charismatic performer in popular music, with a voice that easily encompassed his rock-and-roll roots and his desire to reach beyond them. But as the '70s wore on, Guralnick shows, he became imprisoned by laziness and passivity, numbing his contempt for himself and those around him with the drugs that finally killed him in 1977. As in volume one, Last Train to Memphis, Guralnick makes his points here through the selection and accretion of detail, arguing in an author's note that "retrospective moral judgments [have] no place in describing a life." While some readers may wish he had occasionally stepped back to tell us what it all means, the integrity of this approach is admirable. Many writers have made Presley the vehicle for their own ideas; Guralnick gives us a fallible human being destroyed by forces within as well as without. It's an epic American tragedy, captured here in all its complexity. Major ad/promo; author tour.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Acclaimed by the critics, Guralnick's Last Train to Memphis (Audio Reviews, LJ 6/15/95) chronicled Elvis's early life, his music, and his phenomenal rise to fame. This second volume covers the period from his army service in 1958 to his death in 1977, describing his slow artistic and physical decline, accompanied by ever-increasing prescription drug use. Guralnick manages to avoid the sensationalism so prevalent in earlier biographies as he writes of nearly a decade of "B" movies, the endless tours playing at increasingly more remote cities, and the pathetic spectacle of an overweight Elvis performing outdated music in a skintight white jumpsuit. He even treats Elvis's bathroom death scene with dignity and critical distance, telling the sad facts of the prescription drug overdose with a reporter's thoroughness. This book will appeal to all who want a factual yet sympathetic account of the last years of Elvis's life. J. Charles reads clearly, sounding believable as Elvis and those around him. The tape quality is excellent. Highly recommended for all public libraries.ANancy R. Ives, SUNY at Geneseo
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
179 of 188 people found the following review helpful.
A poingant, depressing, and insightful look at Elvis...
By ewomack
First and foremost, this is a depressing book. There is a warning in the author's note that the book is about a tragedy, and this is an understatement. Elvis Presely's "fall" was a hard and bitter one. This book outlines events starting in 1960 up to Presely's death in 1977. Things start out looking pretty good for Elvis as he leaves the army and begins his career almost anew, but as the 1970s emerge, things start to cloud over, and the book follows the downward spiraling vortex that Presley and his somewhat bizarre and almost constantly fluctuating entourage followed up to the end. Along the way, Guralnick allows readers to draw their own conclusions about Presley. Mostly the book outlines details of certain events - sometimes so detailed one wonders if Guralnick was there himself - interspersed with commentary from people who lived through these same events. It is not an uplifting read. One gets the impression that Presley's fame isolated him from pretty much the human race, made him untouchable (reprisals were feared by anyone is his immediate "gang", and it didn't help matters that most of them were on his payroll) and ultimately put him beyond the help of his own family and the people who he thought were his friends. Presely's fame turns horrendously destructive in the 1970s, and some of the stories and anecdotes may make the sensitive reader wince. Some of the stories are just downright strange: Presley's religious enlightenment from seeing an image in the clouds of the face of Stalin turn into the face of Jesus; Presley's determination to secure himself a position of Narcotics officer from President Nixon; the pranks Preseley and his retinue play on each other, on audiences, and on themselves; the fact that, as record sales declined, Presely's revenue actually increased. Other anecdotes have a more disturbing undertow: Presley's manipulation and abject objectification of the women in his life, and the fact that many of them kept coming back even after being brusquely brushed off; Presley's fascination with guns, and his sometime not so comforting habit of pointing them at people when angry; Presely's wild, erratic, and irresponsible spending; Presley's inability to take advice from his wife, girlfriends, business manager, and even his own father on dire personal matters (e.g., his finances, his marriage, his health). It is a tragedy to read about someone who both cared about people but also put himself above others in a way that put him beyond their help or aid.
The figure of "the Colonel" lurks behind the entire story. He has Presley's business needs in mind, and, due to his business acumen, makes Presley (and himself) multi-millionaires beyond imagination. It's amazing to read how the Colonel is able to make more and more money from Movie studios, even as movies starring Presley are on a sharp decline in revenue and popularity. The whole story is mind boggling. In the end, the Colonel thought he was taking care of Elvis in the best way he knew how, but insatiable greed and insular attention to the bottom line and almost nothing else probably hurt Presley more than it helped him in the long run. Guralnick does not say this anywhere in the book. Again, the reader must draw moral conclusions based on the evidence. Guralnick does not moralize apart from calling the story a tragedy, and this makes this biography doubly interesting, as different readers will likely draw different conclusions based on their own interpretations of the delineated events. Who is to blame in the end? Is it fair to blame one or a few people? Is it fair to blame Presley? These questions are not answered (as they shouldn't be) but much food for thought is presented. As usual in life, the answer is far more complicated than mere finger pointing can accommodate. Guralnick handles this subject with eloquence and a distance that pull the reader in and allow for reflection upon what happened. This is not the usual shoddy rock biography that typically clutters the "Music" section of bookstores. This is a story to sink one's cognitive teeth into and reflect upon. Warning: this book will make you think; it will make you moralize; it will make you angry and frustrated at what happened, and it will make you ask "Why?" Regardless if you are an Elvis Presley fan or not (I'm really not; I was very young when Presley passed on) this is a book worth reading. It is a thick book, but a quick read (keep your dictionary handy nonetheless). Once you're in fifty pages or so, you'll probably find yourself stuck on it.
112 of 120 people found the following review helpful.
Elvis: *This* Is What Happened
By Will Errickson
Elvis Presley is one of those singular cultural figures who naturally and without defiance broke America apart and re-invented it. He didn't come as prophet or destroyer, not as a statesman or reformer, but as a guileless, unpretentious young man blessed with a talent and charisma and drive that leaves us mere mortals agape. In a way, he is like several other men of the era--Kennedy, Brando, Dean, later the Beatles--who created the "youth culture" to which we are (unfortunately) more enslaved to now than ever....
Wait a minute--did I just refer to Elvis as other than merely mortal? Not so, and Peter Guralnick's astonishing Careless Love finally makes it possible for us to grasp Elvis as human. While other books about him could fill a thousand mausoleums, let them, because Guralnick's two-volume set (the first is Last Train to Memphis (1994)), will stand as the definitive biography of this great American.
But before you dive in, let me say that Careless Love, while beautifully and carefully written, and extra-carefully researched--Guralnick had access to unorganized files in Graceland unlike anyone prior to him--it is dense with factual trivia insterspersed with the dramatic events of Elvis' life (and the lives of those around him). This book is not for the casual reader; in its intimate details, vast narrative, and utter lack of superhero worship glitter, this book will probably appeal less to traditional Elvis fanatics than to those seriously interested in this man who became a 20th century phenomenon.
Again and again, Elvis is described as "humble, shy, respectful, hard-working." This seems true, right, but what is most effective in Guralnick's portrait is what's shown and not told--Elvis' misplaced affections, his desire to keep family and friends around him at all times (but then, you can't blame him). These people, from his father Vernon, to Priscilla, to old friends like Red West, had to put up with his mood swings, his anger, his jet-setting on a whim, the covert operations of smuggling girls in and out of his bedroom. Seemingly without concern for finances he gave away Cadillacs, motorcycles, TVs, homes, jewellry, to those around him, testing loyalty, wanting only their dedication to his perverse lifestyle.
Guralnick makes it clear that one of the young men in Elvis' employ became one of his most trusted friends--and one who was hounded out of the circle by Elvis' "good ol' boy" cronies. Larry Geller was a hairstylist when he met Elvis in April 1964. Immediately there was a rapport, for Geller filled a gap in Elvis' life--a hunger for spiritual, even intellectual pursuits. Geller listened while E poured his heart out about his mother--and if you know anything about Elvis, you know he loved his mother and when she died, well, he was never the same.
Elvis became quite the reader--one of the many revelations here. I won't comment on the types of religious books he read--well, suffice to say today they'd probably be shelved in the dreaded "New Age" section of bookstores, but who am I to say? Sometimes the critic in my head won't shut up--but it's obvious that E had found a bedrock for his life that he had not found in Col. Parker, in Priscilla, perhaps not even in his music. You really feel it when Guralnick describes how Elvis' friends (and let's not forget, they were his employees as well) start to openly mock Geller and his interests, and, by proxy, Elvis' interests as well, although they would never do so to his face. This part of Elvis they could never understand, a part that required a depth of feeling--and perhaps an ego--that these guys didn't have.
Some of my favorite parts of the book were when Elvis was in Vegas. Contrary to popular belief, Elvis turned in many great performances in Las Vegas. After spending years away from the stage, preoccupied with Priscilla, the baby, bad movies, etc., he was glad to concentrate on the music once again. He handpicked his backup band, and the performances highlighted his freewheeling, energetic, off-the-cuff personality that had been stifled. Guralnick excels in revealing how Elvis' confidence and enthusiasm returned at this point, and how he spent less and less time with Col. Parker. In these pages, Elvis comes across as simply wonderful.
The best thing about this work is that it is simply about Elvis' life--indeed, it ends a mere page after detailing the funeral (50,000+ outside Graceland); James Brown gets a moment alone with the body; and Col. Parker tells a grieving Vernon Presley that even now they must think of the future (ooh, that conniving huckster bastard!) There is very little moralizing, even when it could be so easy: such as when Elvis wanted to have contracts put out on Mike Stone, whom Priscilla had had an affair with,and on his close friends Red and Sonny, who wrote the 1977 tell-all Elvis: What Happened?
No, what Guralnick gives us here is the portrait of a great man, a man whose legacy today is encrusted with gold and lacquer, a man who should be rediscovered and remembered as he is here: without myth, without ceremony, but with every respect and honor due him.
77 of 81 people found the following review helpful.
Masterful and stunningly sad
By W. Bishop
I was not an Elvis fan before casually picking this up in an airport to have something to read on my flight. Now I can hardly pass a day (or sometimes hour) without thinking about him thanks to this incredible masterpiece of a biography. If the aim of a biography is to guide you to the subject on a personal level, tell you something about them that you never knew before, inspire you learn more about them then Guralnick has accomplished this and more. One of the most fascinating and enlightening aspects of the 2 volume work (Last Train To Memphis) comes in the form of Elvis' recording sessions. To understand him as a person, to truly give him the utter respect that is due him as the ultimate musician, you have to get into those recording sessions and sit alongside him, watch his reactions, listen to his comments, gauge his moods. Guralnick has managed to gain us entrance to these sessions and you are there. At the close of this book beware - even though you know the ending you keep hoping beyond hope that it turns out differently because you will love Presley. You will grieve for him, you will miss him and you will be furious at the utter waste of a genius. Above all, you will be grateful for his life, what he brought us while he was here and to Peter Guralnick for bringing him back to us, if just for the time it takes to finish the book. Thankyou Mr Guralnick.
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